La Natura ‘dolorosa e appassionante’ evocata dall’arte di Eleonora Duse

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Campo DC	Valore
dc.identifier	ECF_article_1213
dc.title	La Natura ‘dolorosa e appassionante’ evocata dall’arte di Eleonora Duse
dc.contributor.author	Brunetti Simona
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.type	Articolo
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/riviste/archivio-dannunzio/2017/1/la-natura-dolorosa-e-appassionante-evocata-dallart/
dc.description.abstract	Moving from the analysis of Eleonora Duse’s acting technique and its reception during her life, the three feminine leading characters of two plays (Sogno di un mattino di primavera and La città morta) and a novel (Il Fuoco) by Gabriele d’Annunzio are closely investigated in relation with the symbolic conception of the space displayed in those works. La Demente, blind Anna and Foscarina are all inspired by Duse’s stage skills. Not only can they interweave a visionary and passionate relationship with the nature that surrounds them – a gorgeous garden in Tuscany, the arid ruins near Mycenae and the famous maze in Villa Pisani near Strà – but also their bodies can detect and translate the archetypes of universe. Our aim is to show how deeply their intimate conception is in debt with the idea of an unconscious sensor of cosmic forces, of a multi-souls actress like Eleonora Duse.
dc.relation.ispartof	Archivio d’Annunzio
dc.relation.ispartof	Vol. 4 \| Ottobre 2017
dc.issued	2017-10-05
dc.dateAccepted	2017-06-12
dc.dateSubmitted	2017-01-11
dc.identifier.issn
dc.identifier.eissn	2421-292X
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.14277/2421-292X/AdA-4-17-5
dc.peer-review	yes
dc.subject	Acting
dc.subject	Acting
dc.subject	Dramatic writing
dc.subject	Dramatic writing
dc.subject	D’Annunzio
dc.subject	D’Annunzio
dc.subject	Eleonora Duse
dc.subject	Eleonora Duse
dc.subject	Plays
dc.subject	Plays

Articolo
open access peer reviewed

Simona Brunetti Università degli Studi di Verona, Italia

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abstract

Moving from the analysis of Eleonora Duse’s acting technique and its reception during her life, the three feminine leading characters of two plays (Sogno di un mattino di primavera and La città morta) and a novel (Il Fuoco) by Gabriele d’Annunzio are closely investigated in relation with the symbolic conception of the space displayed in those works. La Demente, blind Anna and Foscarina are all inspired by Duse’s stage skills. Not only can they interweave a visionary and passionate relationship with the nature that surrounds them – a gorgeous garden in Tuscany, the arid ruins near Mycenae and the famous maze in Villa Pisani near Strà – but also their bodies can detect and translate the archetypes of universe. Our aim is to show how deeply their intimate conception is in debt with the idea of an unconscious sensor of cosmic forces, of a multi-souls actress like Eleonora Duse.

Pubblicato

05 Ottobre 2017

Accettato

12 Giugno 2017

Presentato

11 Gennaio 2017

Lingua

Keywords: Acting • Dramatic writing • D’Annunzio • Eleonora Duse • Plays

permalink http://doi.org/10.14277/2421-292X/AdA-4-17-5

Copyright: © 2017 Simona Brunetti. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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