Archivio d’Annunzio
1 | 2014

Archivio d’Annunzio
1 | 2014

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Vol. 1 | Num. 1 | Ottobre 2014

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Archivio d’Annunzio | 1 | 2014

Simonetto: Gabriellino d’Annunzio tra Moretti e Marinetti

MariaTeresa Imbriani
mt.imbriani@gmail.com

DOI 10.14277/2421-292X/454

Abstract

The retrieval of a letter written by Gabriellino d’Annunzio to Marino Moretti takes the reader behind the stage of the Manzoni Theatre in Milan on 27 March 1905. It was the first staging of Gabriele d’Annunzio’s play La fiaccola sotto il moggio (The light under the bushel), and Gabriellino played Simonetto, the female lead’s brother. His interpretation received mixed reviews, mainly due to the hysterical tone he gave to the character. Numerous sources refer to that première: not only Moretti’s writings but also various contemporary chronicles, as well as Filippo Tommaso Marinetti’a volume Les dieux s’en vont, D’Annunzio reste, in which the author describes and comments the staging. The various sources testify to Gabriele d’Annunzio’s disillusionment towards his own directorial experiment.



Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License 

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Campo DC Valore

dc.contributor.author

Imbriani MariaTeresa

dc.title

Simonetto: Gabriellino d’Annunzio tra Moretti e Marinetti

dc.type

Journal Article

dc.language.iso

it

dc.identifier.uri

http://doi.org/10.14277/2421-292X/454

dc.description.abstract

The retrieval of a letter written by Gabriellino d’Annunzio to Marino Moretti takes the reader behind the stage of the Manzoni Theatre in Milan on 27 March 1905. It was the first staging of Gabriele d’Annunzio’s play La fiaccola sotto il moggio (The light under the bushel), and Gabriellino played Simonetto, the female lead’s brother. His interpretation received mixed reviews, mainly due to the hysterical tone he gave to the character. Numerous sources refer to that première: not only Moretti’s writings but also various contemporary chronicles, as well as Filippo Tommaso Marinetti’a volume Les dieux s’en vont, D’Annunzio reste, in which the author describes and comments the staging. The various sources testify to Gabriele d’Annunzio’s disillusionment towards his own directorial experiment.

dc.relation.ispartof

Archivio d’Annunzio

dc.relation.ispartof

Vol. 1 | Num. 1 | Ottobre 2014

dc.publisher

Edizioni Ca’ Foscari - Digital Publishing

dc.date.issued

None

dc.dateAccepted

None

dc.dateSubmitted

None

dc.identifier.issn

2421-4213

dc.identifier.eissn

2421-292X

dc.rights

Creative Commons 4.0 Attribution alone

dc.rights.uri

http://creativecommons.org/licenses/by/4.0/

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1 | 2014

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