Archivio d’Annunzio
1 | 2014

Archivio d’Annunzio
1 | 2014

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Vol. 1 | Num. 1 | Ottobre 2014

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Archivio d’Annunzio | 1 | 2014

D’Annunzio sulla scena lirica: libretto o Poema?

Adriana Guarnieri
ORCID 0000-0001-5324-3493 
guarnier@unive.it

DOI 10.14277/2421-292X/449

Abstract

Gabriele d’Annunzio’s relationship with music may be considered under two points of view: firstly, his musical tastes, that is his Wagnerism and, later, his anti-Wagnerism and his envisioning of a ‘Latin musical drama’; secondly, the use of his poems in chamber vocal music and particularly in romanzas. An overall analysis of d’Annunzio’s texts for music shows how, depending on the composer with whom he cooperated, his texts are alternatively conservative, up-to-date or avant-gardist. A full transcription of d’Annunzio’s autograph version of his libretto for Alberto Franchetti’s La figlia di Iorio (The daughter of Iorio), containing the outline of the first act and a draft of the first and the third act, offers a glimpse on the stages of elaboration of his tragedy.



Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License 

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Campo DC Valore

dc.contributor.author

Guarnieri Adriana

dc.title

D’Annunzio sulla scena lirica: libretto o Poema?

dc.type

Journal Article

dc.language.iso

it

dc.identifier.uri

http://doi.org/10.14277/2421-292X/449

dc.description.abstract

Gabriele d’Annunzio’s relationship with music may be considered under two points of view: firstly, his musical tastes, that is his Wagnerism and, later, his anti-Wagnerism and his envisioning of a ‘Latin musical drama’; secondly, the use of his poems in chamber vocal music and particularly in romanzas. An overall analysis of d’Annunzio’s texts for music shows how, depending on the composer with whom he cooperated, his texts are alternatively conservative, up-to-date or avant-gardist. A full transcription of d’Annunzio’s autograph version of his libretto for Alberto Franchetti’s La figlia di Iorio (The daughter of Iorio), containing the outline of the first act and a draft of the first and the third act, offers a glimpse on the stages of elaboration of his tragedy.

dc.relation.ispartof

Archivio d’Annunzio

dc.relation.ispartof

Vol. 1 | Num. 1 | Ottobre 2014

dc.publisher

Edizioni Ca’ Foscari - Digital Publishing

dc.date.issued

None

dc.dateAccepted

None

dc.dateSubmitted

None

dc.identifier.issn

2421-4213

dc.identifier.eissn

2421-292X

dc.rights

Creative Commons 4.0 Attribution alone

dc.rights.uri

http://creativecommons.org/licenses/by/4.0/

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1 | 2014

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