Collana |
Storie dell’arte contemporanea
Miscellanea | Curatorial studies
Capitolo | Reenactment, autorialità e copyright infringement: alcune riflessioni sull’Homenaje a Ana Mendieta (1986-1996) di Tania Bruguera
Reenactment, autorialità e copyright infringement: alcune riflessioni sull’Homenaje a Ana Mendieta (1986-1996) di Tania Bruguera
Abstract
The controversial homage of Cuban artist Tania Bruguera (1968) to her compatriot Ana Mendieta (1948‑85) is a particular case of reenactment. In fact, by reenacting the works of Mendieta, Bruguera wishes to re-establish a link between the past and the present of Cuban art, but on the other hand, due to the particular ways in which it is conducted, ends up forcing the very limits and possibilities of reenactment.
Presentato: 19 Giugno 2023 | Accettato: 19 Luglio 2023 | Pubblicato 05 Dicembre 2023 | Lingua: it
Keywords Cuban art • Reenactment • Ana Mendieta • Tania Bruguera
Copyright © 2023 Federica Stevanin. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-760-9/009
