America: il racconto di un continente | América: el relato de un continente

America: il racconto di un continente | América: el relato de un continente

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chevron_rightStudi linguistici

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es

ISBN (print)
978-88-6969-320-5

ISBN (ebook)
978-88-6969-319-9

ISSN
chevron_right2610-8844

e-ISSN
chevron_right2610-9360

Data pubblicazione
14 Mag 2019

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Biblioteca di Rassegna iberistica

«Pupilas sedientas»
Fenomenología de la mirada fotográfica en la obra de Pablo Montoya, entre eros y violencia

Giulia Nuzzo
Università degli Studi di Salerno, Italia
giul.nuzzo@gmail.com

DOI 10.30687/978-88-6969-319-9/029

Submitted 06 Feb 2019
Accepted 26 Feb 2019

Abstract

Investing in a study perspective focused on analysing the presence of visual languages in Pablo Montoya’s literature, this work proposes a survey of the ‘phenomenology of the gaze’, which in La sed del ojo and in meaningful sections of Los derrotados is established in the relationship between literature and photography. The two novels offer a compact exploration experience of the photographical means, which leads, at the same time, to an experimentation of the visual instruments of the literary words, of the ‘eye of literature’: entering, in La sed del ojo, the world of erotic and pornographic photography of Paris in the 19th century; pouncing, in Los derrotados, in the ‘obscene spectacle’ of death spread by Colombian wars. This work will reconstruct the meaningful aspects and moments of this investigation, analysing them in a setting of complex theoretical questions inspired by the reflexive and speculative vein of the Colombian author.

Keywords
Pablo Montoya. Literature and photography. Pornographic Photography. Documentary photography. La sed del ojo. Los derrotados.


Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License 

Sommario
×
Campo DC Valore

dc.contributor.author

Nuzzo Giulia

dc.title

«Pupilas sedientas»

dc.type

Book Chapter

dc.language.iso

es

dc.description.abstract

Investing in a study perspective focused on analysing the presence of visual languages in Pablo Montoya’s literature, this work proposes a survey of the ‘phenomenology of the gaze’, which in La sed del ojo and in meaningful sections of Los derrotados is established in the relationship between literature and photography. The two novels offer a compact exploration experience of the photographical means, which leads, at the same time, to an experimentation of the visual instruments of the literary words, of the ‘eye of literature’: entering, in La sed del ojo, the world of erotic and pornographic photography of Paris in the 19th century; pouncing, in Los derrotados, in the ‘obscene spectacle’ of death spread by Colombian wars. This work will reconstruct the meaningful aspects and moments of this investigation, analysing them in a setting of complex theoretical questions inspired by the reflexive and speculative vein of the Colombian author.

dc.relation.ispartof

Biblioteca di Rassegna iberistica

dc.publisher

Edizioni Ca’ Foscari - Digital Publishing

dc.date.issued

2019-05-14

dc.dateAccepted

2019-02-06

dc.dateSubmitted

2019-02-26

dc.identifier.uri

http://doi.org/10.14277/978-88-6969-319-9/029

dc.identifier.issn

2610-8844

dc.identifier.eissn

2610-9360

dc.identifier.isbn

978-88-6969-320-5

dc.identifier.eisbn

978-88-6969-319-9

dc.rights

Creative Commons 4.0 Attribution alone

dc.rights.uri

http://creativecommons.org/licenses/by/4.0/

item.fulltext

with fulltext

item.grantfulltext

open

dc.subject

Pablo Montoya

dc.subject

Literature and photography

dc.subject

Pornographic Photography

dc.subject

Documentary photography

dc.subject

La sed del ojo

dc.subject

Los derrotados

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America: il racconto di un continente | América: el relato de un continente

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