America: il racconto di un continente | América: el relato de un continente

America: il racconto di un continente | América: el relato de un continente

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chevron_rightStudi linguistici

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es

ISBN (print)
978-88-6969-320-5

ISBN (ebook)
978-88-6969-319-9

ISSN
chevron_right2610-8844

e-ISSN
chevron_right2610-9360

Data pubblicazione
14 Mag 2019

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Biblioteca di Rassegna iberistica

El mito en la sociedad a través de los elementos políticos y religiosos en la ficción literaria de América Latina (siglos XX y XXI)

Julieta Leo
Universidad de Monterrey, México
julieta.leo@udem.edu

María José Buchanan
Universidad de Monterrey, México
maria.buchanan@udem.edu

DOI 10.30687/978-88-6969-319-9/012

Submitted 06 Feb 2019
Accepted 26 Feb 2019

Abstract

Following Latin America’s incorporation into the Spanish empire, myths rooted in cultural syncretism arose, which later became instruments for the conquest, oppression and transculturation of the indigenous peoples. This article focuses on the work of writers who, through the re-examining of said myths, sought to capture the essence of ‘Americanity’ without losing their universal sense. These myths are explored through the tone they acquired in Baroque literature, with a later focus on the sociocultural ‘myth’ associated with drug trafficking. Our findings are based on myth as an original principle may be opened a poetic interpretation.

Keywords
American myth. Reinaldo Arenas. Neo-baroque. Literary fiction. Religious syncretism.


Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License 

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Campo DC Valore

dc.contributor.author

Buchanan María José

dc.contributor.author

Leo Julieta

dc.title

El mito en la sociedad a través de los elementos políticos y religiosos en la ficción literaria de América Latina (siglos XX y XXI)

dc.type

Book Chapter

dc.language.iso

es

dc.description.abstract

Following Latin America’s incorporation into the Spanish empire, myths rooted in cultural syncretism arose, which later became instruments for the conquest, oppression and transculturation of the indigenous peoples. This article focuses on the work of writers who, through the re-examining of said myths, sought to capture the essence of ‘Americanity’ without losing their universal sense. These myths are explored through the tone they acquired in Baroque literature, with a later focus on the sociocultural ‘myth’ associated with drug trafficking. Our findings are based on myth as an original principle may be opened a poetic interpretation.

dc.relation.ispartof

Biblioteca di Rassegna iberistica

dc.publisher

Edizioni Ca’ Foscari - Digital Publishing

dc.date.issued

2019-05-14

dc.dateAccepted

2019-02-06

dc.dateSubmitted

2019-02-26

dc.identifier.uri

http://doi.org/10.14277/978-88-6969-319-9/012

dc.identifier.issn

2610-8844

dc.identifier.eissn

2610-9360

dc.identifier.isbn

978-88-6969-320-5

dc.identifier.eisbn

978-88-6969-319-9

dc.rights

Creative Commons 4.0 Attribution alone

dc.rights.uri

http://creativecommons.org/licenses/by/4.0/

item.fulltext

with fulltext

item.grantfulltext

open

dc.subject

American myth

dc.subject

Reinaldo Arenas

dc.subject

Neo-baroque

dc.subject

Literary fiction

dc.subject

Religious syncretism

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America: il racconto di un continente | América: el relato de un continente

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