America: il racconto di un continente | América: el relato de un continente

America: il racconto di un continente | América: el relato de un continente

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chevron_rightStudi linguistici

Lingua
es

ISBN (print)
978-88-6969-320-5

ISBN (ebook)
978-88-6969-319-9

ISSN
chevron_right2610-8844

e-ISSN
chevron_right2610-9360

Data pubblicazione
14 Mag 2019

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Biblioteca di Rassegna iberistica

Entre los Incas y el ‘Che’
El ambiguo indigenismo de la música andina en la Italia de los setenta

Stefano Gavagnin
Sapienza Università di Roma, Italia
st.gavagnin@gmail.com

DOI 10.30687/978-88-6969-319-9/015

Submitted 06 Feb 2019
Accepted 08 Mar 2019

Abstract

The massive success of Latin American folk music in Europe during the 70s ran parallel to the contemporary Spanish-American literary boom. Especially, Andean music could suggest a kind of musical indigenismo, which actively contributed to the creation of a persistent Andean cultural imaginary on that side of the Ocean. This work aims at outlining, through a dialogue with the documents and the testimonies of the local reception, some specific characteristics of the diffusion of Andean music in Italy. This coincided with the diffusion of the New Chilean Song, after the military coup in 1973, generating an ambiguous overlap between the two musical areas.

Keywords
Andean music. Nueva Canción Chilena. Latin-American boom. Italian reception of Latin-American music. Inti-Illimani. Los Calchakis.


Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License 

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Campo DC Valore

dc.contributor.author

Gavagnin Stefano

dc.title

Entre los Incas y el ‘Che’

dc.type

Book Chapter

dc.language.iso

es

dc.description.abstract

The massive success of Latin American folk music in Europe during the 70s ran parallel to the contemporary Spanish-American literary boom. Especially, Andean music could suggest a kind of musical indigenismo, which actively contributed to the creation of a persistent Andean cultural imaginary on that side of the Ocean. This work aims at outlining, through a dialogue with the documents and the testimonies of the local reception, some specific characteristics of the diffusion of Andean music in Italy. This coincided with the diffusion of the New Chilean Song, after the military coup in 1973, generating an ambiguous overlap between the two musical areas.

dc.relation.ispartof

Biblioteca di Rassegna iberistica

dc.publisher

Edizioni Ca’ Foscari - Digital Publishing

dc.date.issued

2019-05-14

dc.dateAccepted

2019-02-06

dc.dateSubmitted

2019-03-08

dc.identifier.uri

http://doi.org/10.14277/978-88-6969-319-9/015

dc.identifier.issn

2610-8844

dc.identifier.eissn

2610-9360

dc.identifier.isbn

978-88-6969-320-5

dc.identifier.eisbn

978-88-6969-319-9

dc.rights

Creative Commons 4.0 Attribution alone

dc.rights.uri

http://creativecommons.org/licenses/by/4.0/

item.fulltext

with fulltext

item.grantfulltext

open

dc.subject

Andean music

dc.subject

Nueva Canción Chilena

dc.subject

Latin-American boom

dc.subject

Italian reception of Latin-American music

dc.subject

Inti-Illimani

dc.subject

Los Calchakis

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America: il racconto di un continente | América: el relato de un continente

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