America: il racconto di un continente | América: el relato de un continente

America: il racconto di un continente | América: el relato de un continente

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chevron_rightStudi linguistici

Lingua
it

ISBN (print)
978-88-6969-320-5

ISBN (ebook)
978-88-6969-319-9

ISSN
chevron_right2610-8844

e-ISSN
chevron_right2610-9360

Data pubblicazione
14 Mag 2019

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Biblioteca di Rassegna iberistica

Altre versioni del perturbante
Il fantastico femminile e le autrici ispanoamericane

Anna Boccuti
Università degli Studi di Torino, Italia
anna.boccuti@unito.it

DOI 10.30687/978-88-6969-319-9/034

Submitted 06 Feb 2019
Accepted 26 Feb 2019

Abstract

In the last decades, the Fantastic Literature written by women has been the subject of various critical and theoretical works, which, from different standpoints, have tried to investigate the characteristics of the so called ‘Female Fantastic’: an extremely difficult task, if we take into account the wide range of concepts included in the heterogeneous notions of ‘female’ and ‘female writing’, whose theoretical survey has to be considered prior to any exploration of the ‘Female Fantastic’. After a critical review of some of these most prominent theories about the Female Fantastic, this essay will try to point out through the close readings of “La celda” (1959), by Amparo Dávila, and “La casa de azúcar” (1959), by Silvina Ocampo, the function of the Fantastic written by women, which it is suggested lies in the subversion of the feminine models fixed by the masculine symbolic order and the patriarchal dominant discourse.

Keywords
Female writing. Fantastic literature. Amparo Dávila. Silvina Ocampo. Unheimlich.


Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License 

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Campo DC Valore

dc.contributor.author

Boccuti Anna

dc.title

Altre versioni del perturbante

dc.type

Book Chapter

dc.language.iso

it

dc.description.abstract

In the last decades, the Fantastic Literature written by women has been the subject of various critical and theoretical works, which, from different standpoints, have tried to investigate the characteristics of the so called ‘Female Fantastic’: an extremely difficult task, if we take into account the wide range of concepts included in the heterogeneous notions of ‘female’ and ‘female writing’, whose theoretical survey has to be considered prior to any exploration of the ‘Female Fantastic’. After a critical review of some of these most prominent theories about the Female Fantastic, this essay will try to point out through the close readings of “La celda” (1959), by Amparo Dávila, and “La casa de azúcar” (1959), by Silvina Ocampo, the function of the Fantastic written by women, which it is suggested lies in the subversion of the feminine models fixed by the masculine symbolic order and the patriarchal dominant discourse.

dc.relation.ispartof

Biblioteca di Rassegna iberistica

dc.publisher

Edizioni Ca’ Foscari - Digital Publishing

dc.date.issued

2019-05-14

dc.dateAccepted

2019-02-06

dc.dateSubmitted

2019-02-26

dc.identifier.uri

http://doi.org/10.14277/978-88-6969-319-9/034

dc.identifier.issn

2610-8844

dc.identifier.eissn

2610-9360

dc.identifier.isbn

978-88-6969-320-5

dc.identifier.eisbn

978-88-6969-319-9

dc.rights

Creative Commons 4.0 Attribution alone

dc.rights.uri

http://creativecommons.org/licenses/by/4.0/

item.fulltext

with fulltext

item.grantfulltext

open

dc.subject

Female writing

dc.subject

Fantastic literature

dc.subject

Amparo Dávila

dc.subject

Silvina Ocampo

dc.subject

Unheimlich

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America: il racconto di un continente | América: el relato de un continente

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