Rassegna iberistica
41 | 110 | 2018

Rassegna iberistica
41 | 110 | 2018

Download free PDF

  pdf
Views 19
Downloads 0

Topic
chevron_rightLiterature

Language
es

ISSN
chevron_right0392-4777

e-ISSN
chevron_right2037-6588

Online issue
Vol. 41 | Num. 110 | Dicembre 2018

Share

Metadata

Rassegna iberistica | 41 | 110 | 2018

Stolen Lives and the Limits of Art

Aiora Sampedro
Euskal Herriko Unibertsitatea / Universidad del País Vasco, España
aiora.sampedro@gmail.com

DOI 10.30687/Ri/2037-6588/2018/110/007

Submitted 03 Jul 2017
Accepted 17 Jul 2017

Abstract

What we know about the horizon of possibilities in the writers’ discourse is largely influenced by two relevant scholars studies who defined literature as a field in which many pressures converge. The purpose of this paper is to analyse the aims and pressures that have Harkaitz Cano has to cope with when writing about the Basque context. In the aforementioned discussion I thoroughly identify different cycles of literary recreation by taking into consideration three essential stages: first, reflections from a novel’s main figure, secondly, an essay on artist and character building and finally, conversions based on metaliterature. To conclude, the single most striking observation to emerge from the analysis might be the correlation between the artist’s necessity and impossibility to represent reality around him.

Keywords
Metaliterature. Basque Studies. Sociology. Literary field.

Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License 

Table of contents
×
Campo DC Valore

dc.contributor.author

Sampedro Aiora

dc.title

Stolen Lives and the Limits of Art

dc.type

Journal Article

dc.language.iso

es

dc.identifier.uri

http://doi.org/10.14277/Ri/2037-6588/2018/110/007

dc.description.abstract

What we know about the horizon of possibilities in the writers’ discourse is largely influenced by two relevant scholars studies who defined literature as a field in which many pressures converge. The purpose of this paper is to analyse the aims and pressures that have Harkaitz Cano has to cope with when writing about the Basque context. In the aforementioned discussion I thoroughly identify different cycles of literary recreation by taking into consideration three essential stages: first, reflections from a novel’s main figure, secondly, an essay on artist and character building and finally, conversions based on metaliterature. To conclude, the single most striking observation to emerge from the analysis might be the correlation between the artist’s necessity and impossibility to represent reality around him.

dc.relation.ispartof

Rassegna iberistica

dc.relation.ispartof

Vol. 41 | Num. 110 | Dicembre 2018

dc.publisher

Edizioni Ca’ Foscari - Digital Publishing

dc.date.issued

2018-12-11

dc.dateAccepted

2017-07-03

dc.dateSubmitted

2017-07-17

dc.identifier.issn

0392-4777

dc.identifier.eissn

2037-6588

dc.rights

Creative Commons 4.0 Attribution alone

dc.rights.uri

http://creativecommons.org/licenses/by/4.0/

dc.subject

Metaliterature

dc.subject

Basque Studies

dc.subject

Sociology

dc.subject

Literary field

Download

×

41 | 110 | 2018

Table of contents