Il Tolomeo

Rivista di studi postcoloniali | A Postcolonial Studies Journal | Journal d’études postcoloniales | Revista de estudos pós-coloniais

Journal | Il Tolomeo
Journal issue | 20 | 2018

20 | 2018

open access | peer reviewed
Abstract

Keywords Carnival • Music and semiotics • Linguistic characterisation • Venice Architecture • History • Caribbean music • Linguistic musicality • Art • Styleme • Algeria • Said • Embodied reading • Historical-real • Stanley Péan • Kannjawou • Poetry • Lyonel Trouillot • Depestre • Translation as hermeneutic process • Intertextuality • Marasa and zombie • Science of Rhythm • Figure of the prostitute • Patrick McCabe • Diaspora • Caribbean • Subversion • Rhetoric figure • Music • Haïtianité • Joyce • Translation as negotiation • Identity • Bakhtin • Haitian literature • Style • Interculturalism • Power and subjectivity • Fantastic • Masque • Caribbean literature • Francophone literature • Ethnography • Biennale 2018 • Imperialism • Aesthetic-real • Caribbean songs • Mixed languages • Stylistics • Trace • Hamilton • Elgar

Permalink http://doi.org/10.30687/Tol/2499-5975/2018/04 | Published Dec. 21, 2018 | Language en, fr, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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