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DC Field	Value
dc.identifier	ECF_article_1222
dc.title	«Sognare, forse… morire». La parola di d’Annunzio nella messinscena di Tiezzi e Lombardi
dc.contributor.author	Mazzaglia Rossella
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.type	Research Article
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/riviste/archivio-dannunzio/2017/1/sognare-forse-morire/
dc.description.abstract	In May 2007, the theatre company Tiezzi-Lombardi enacted d’Annunzio’s Sogno di un mattino di primavera, originally written for Eleonora Duse in 1897. Though respectful of his language, the company created a new dream-like version. The stage design by Fabrizia Scasellati Sforzolini and the particular setting in the court of the Bargello Museum in Florence make for an essential geometric stage writing, in which the actors play with exact anti-naturalistic voice and physical action, countered by Sandro Lombardi’s frail transfiguration into the main female role of the Demente. In his interpretation, built over a detailed phonetic study and on both estrangement and embodiment actor’s techniques, lays the secret of the re-creation of d’Annunzio’s work. At the same time, the overall interpretation conveys the impossibility of reason to grasp the mystery of life, already inscribed in the text, while showing the means towards a contemporary sense of the tragic.
dc.relation.ispartof	Archivio d’Annunzio
dc.relation.ispartof	Vol. 4 \| October 2017
dc.issued	2017-10-05
dc.dateAccepted	2017-05-03
dc.dateSubmitted	2017-01-17
dc.identifier.issn
dc.identifier.eissn	2421-292X
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.14277/2421-292X/AdA-4-17-13
dc.peer-review	yes
dc.subject	Acting techniques
dc.subject	Acting techniques
dc.subject	Death
dc.subject	Death
dc.subject	Madness
dc.subject	Madness
dc.subject	Phoné
dc.subject	Phoné
dc.subject	Sleep
dc.subject	Sleep
dc.subject	Stage
dc.subject	Stage
dc.subject	Symbolism
dc.subject	Symbolism
dc.subject	Writing
dc.subject	Writing

Research Article
open access peer reviewed

«Sognare, forse… morire»

La parola di d’Annunzio nella messinscena di Tiezzi e Lombardi

Rossella Mazzaglia Università degli Studi di Messina, Italia

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abstract

In May 2007, the theatre company Tiezzi-Lombardi enacted d’Annunzio’s Sogno di un mattino di primavera, originally written for Eleonora Duse in 1897. Though respectful of his language, the company created a new dream-like version. The stage design by Fabrizia Scasellati Sforzolini and the particular setting in the court of the Bargello Museum in Florence make for an essential geometric stage writing, in which the actors play with exact anti-naturalistic voice and physical action, countered by Sandro Lombardi’s frail transfiguration into the main female role of the Demente. In his interpretation, built over a detailed phonetic study and on both estrangement and embodiment actor’s techniques, lays the secret of the re-creation of d’Annunzio’s work. At the same time, the overall interpretation conveys the impossibility of reason to grasp the mystery of life, already inscribed in the text, while showing the means towards a contemporary sense of the tragic.

Published

Oct. 5, 2017

Accepted

May 3, 2017

Submitted

Jan. 17, 2017

Language

Keywords: Phoné • Symbolism • Acting techniques • Madness • Writing • Stage • Sleep • Death

permalink http://doi.org/10.14277/2421-292X/AdA-4-17-13

Copyright: © 2017 Rossella Mazzaglia. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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