Repensar los estudios ibéricos desde la periferia

Repensar los estudios ibéricos desde la periferia

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Topic
chevron_rightLinguistics

Language
es

ISBN (print)
978-88-6969-303-8

ISBN (ebook)
978-88-6969-302-1

ISSN
chevron_right2610-8844

e-ISSN
chevron_right2610-9360

Date of publication
04 Feb 2019

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Metadata

Biblioteca di Rassegna iberistica

Sexualidades periféricas
Masculinidades alternativas en el cine español

José Colmeiro
University of Auckland, New Zeland
j.colmeiro@auckland.ac.nz

DOI 10.30687/978-88-6969-302-1/010

Submitted 08 Nov 2018

Abstract

This essay considers the problematic construction of alternative masculinities in Spanish cinema during the Franco regime and their reconstruction during the Transition. The analysis examines the cultural parameters of the performance of difference on screen, focusing on the representation of peripheral masculine sexualities, at odds with the fundamental elements of the hegemonic Francoist national-catholic ideology, whereby homosexuality and otherness are commonly denied, neutralised or made invisible to reaffirm the heteromasculine national paradigm. It also explores the fissures in the construction of hegemonic masculinity in Spanish cinema and diverse attempts of deperipheralisation.

Keywords
Representation of homosexuality. Spanish Cinema. Harka. ¡A mí la Legión!. Diferente, No desearás al vecino del quinto. Laberinto de Pasiones. Pedro Almodóvar. Alfredo Landa.


Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License 

Table of contents
×
Campo DC Valore

dc.contributor.author

Colmeiro José

dc.title

Sexualidades periféricas

dc.type

Book Chapter

dc.language.iso

es

dc.description.abstract

This essay considers the problematic construction of alternative masculinities in Spanish cinema during the Franco regime and their reconstruction during the Transition. The analysis examines the cultural parameters of the performance of difference on screen, focusing on the representation of peripheral masculine sexualities, at odds with the fundamental elements of the hegemonic Francoist national-catholic ideology, whereby homosexuality and otherness are commonly denied, neutralised or made invisible to reaffirm the heteromasculine national paradigm. It also explores the fissures in the construction of hegemonic masculinity in Spanish cinema and diverse attempts of deperipheralisation.

dc.relation.ispartof

Biblioteca di Rassegna iberistica

dc.publisher

Edizioni Ca’ Foscari - Digital Publishing

dc.date.issued

2019-02-04

dc.dateAccepted

2018-11-08

dc.dateSubmitted

None

dc.identifier.uri

http://doi.org/10.14277/978-88-6969-302-1/010

dc.identifier.issn

2610-8844

dc.identifier.eissn

2610-9360

dc.identifier.isbn

978-88-6969-303-8

dc.identifier.eisbn

978-88-6969-302-1

dc.rights

Creative Commons 4.0 Attribution alone

dc.rights.uri

http://creativecommons.org/licenses/by/4.0/

item.fulltext

with fulltext

item.grantfulltext

open

dc.subject

Representation of homosexuality

dc.subject

Spanish Cinema

dc.subject

Harka

dc.subject

¡A mí la Legión!

dc.subject

Diferente, No desearás al vecino del quinto

dc.subject

Laberinto de Pasiones

dc.subject

Pedro Almodóvar

dc.subject

Alfredo Landa

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Repensar los estudios ibéricos desde la periferia

Table of contents