Repensar los estudios ibéricos desde la periferia

Repensar los estudios ibéricos desde la periferia

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Topic
chevron_rightLinguistics

Language
en

ISBN (print)
978-88-6969-303-8

ISBN (ebook)
978-88-6969-302-1

ISSN
chevron_right2610-8844

e-ISSN
chevron_right2610-9360

Date of publication
04 Feb 2019

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Metadata

Biblioteca di Rassegna iberistica

Between Two Sides of the Atlantic
Galician Visual Artists in New York

Ekaterina Volkova
University of Auckland, New Zeland
evol005@aucklanduni.ac.nz

DOI 10.30687/978-88-6969-302-1/005

Submitted 08 Nov 2018

Abstract

The growing field of Galician cultural studies has been moving rapidly out of the periphery of academic scholarship. The latest developments in this field have been marked by the effects of globalization and the expansion of its scope to include areas previously considered as a ‘periphery’ of cultural studies, such as visual arts. Influenced by these tendencies, this paper focuses on two contemporary Galician visual artists, both internationally acclaimed, sculptor Francisco Leiro and painter Antonio Murado. They are both prominent Galician artists whose sources of creative power are linked to their Galician roots. Currently they are both based in New York, one of the most important centres of contemporary art in the global stage. This essay discusses Leiro and Murado’s oeuvre as an example of the cross-cultural connections between the two sides of the Atlantic.

Keywords
Galician studies. Visual Art. Francisco Leiro. Antonio Murado.


Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License 

Table of contents
×
Campo DC Valore

dc.contributor.author

Volkova Ekaterina

dc.title

Between Two Sides of the Atlantic

dc.type

Book Chapter

dc.language.iso

en

dc.description.abstract

The growing field of Galician cultural studies has been moving rapidly out of the periphery of academic scholarship. The latest developments in this field have been marked by the effects of globalization and the expansion of its scope to include areas previously considered as a ‘periphery’ of cultural studies, such as visual arts. Influenced by these tendencies, this paper focuses on two contemporary Galician visual artists, both internationally acclaimed, sculptor Francisco Leiro and painter Antonio Murado. They are both prominent Galician artists whose sources of creative power are linked to their Galician roots. Currently they are both based in New York, one of the most important centres of contemporary art in the global stage. This essay discusses Leiro and Murado’s oeuvre as an example of the cross-cultural connections between the two sides of the Atlantic.

dc.relation.ispartof

Biblioteca di Rassegna iberistica

dc.publisher

Edizioni Ca’ Foscari - Digital Publishing

dc.date.issued

2019-02-04

dc.dateAccepted

2018-11-08

dc.dateSubmitted

None

dc.identifier.uri

http://doi.org/10.14277/978-88-6969-302-1/005

dc.identifier.issn

2610-8844

dc.identifier.eissn

2610-9360

dc.identifier.isbn

978-88-6969-303-8

dc.identifier.eisbn

978-88-6969-302-1

dc.rights

Creative Commons 4.0 Attribution alone

dc.rights.uri

http://creativecommons.org/licenses/by/4.0/

item.fulltext

with fulltext

item.grantfulltext

open

dc.subject

Galician studies

dc.subject

Visual Art

dc.subject

Francisco Leiro

dc.subject

Antonio Murado

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Repensar los estudios ibéricos desde la periferia

Table of contents