Journal | Venezia Arti
Monographic journal issue | 26 | 2017
Research Article | Signing merci (Duchamp Against Himself)

Signing merci (Duchamp Against Himself)

Nico Stringa - Università Ca’ Foscari Venezia, Italia - email orcid profile

Open access

Submitted: July 13, 2017 | Published Dec. 20, 2017 | Language: it

Copyright © 2017 Nico Stringa. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Permalink http://doi.org/10.14277/2385-2720/VA-26-17-14

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Introduction

The ‘Signature’ in the Art
Authorship, Self-Awareness, Identity and Memory of Artists. Introduction
Stefano Riccioni, Giovanni Maria Fara, Nico Stringa
Dec. 20, 2017

Middle Ages

Artists in North-Central Puglia Between the 11th and 13th Centuries
Artistic Production Between Style, Identity and Self-Awareness
Marida Pierno
Dec. 20, 2017

The Artist's Signature, the Vasari Myths and Wolvinus magister phaber
Ivan Foletti
Dec. 20, 2017

The Artist's Signature in Romanesque France
Problems, Forms, Functions
Emilie Mineo
Dec. 20, 2017

For a Project on the Signed Paintings of Venice in the Gothic and Late Gothic Periods
Stefano Riccioni
Dec. 20, 2017

«De Zavatarijs hanc ornavere capellam»
Historical Details on the Epigraph in the Teodolinda Chapel in the Light of the Restoration Work
Roberta Delmoro, Anna Lucchini
Dec. 20, 2017

Manifestations of Authorship
Artists’ signatures in Byzantium
Maria Lidova
Dec. 20, 2017

Modern Age

Why Was Jan van Eyck here?
The Subject, Sitters, and Significance of The Arnolfini Marriage Portrait
Benjamin Binstock
Dec. 20, 2017

Set in Stone
Signing Carlo Crivelli of Venice
Amanda Hilliam
Dec. 20, 2017

Correggio, Anselmi and Rondani
Artist Signatures in the Parma Scuola
Elisabetta Fadda
Dec. 20, 2017

Light on Titian's ‘Hidden’ Signature
Marco Tagliapietra
Dec. 20, 2017

Gio. Bapt. Paggius Genuensis F.
The Very Noble Science of Painting by Giovanni Battista Paggi
Valentina Frascarolo
Dec. 20, 2017

Signatures of Seventeenth-Century Woodcutters in the Wooden Matrices of the Galleria Estense in Modena
Chiara Travisonni
Dec. 20, 2017

The Twentieth Century

Edvard Munch’s Toponymic Codes
Patricia G. Berman
Dec. 20, 2017

Signing merci (Duchamp Against Himself)
Nico Stringa
Dec. 20, 2017

The Artist's Signature in the Context of the happening
Joseph Pascali fecit anno in Pino Pascali’s Requiescat in Pace Corradinus at the Subject Exhibition of the La Salita Gallery
Martina Rossi
Dec. 20, 2017

Alighiero & Boetti: About the Signature as Identity and Duplication
Stefania Portinari
Dec. 20, 2017

Collectanea

Memories of a Film
Ross Lipman’s Notfilm
Martina Zanco
Dec. 20, 2017

The Setting up of the Ancient Seat of the Naval History Museum of Venice
An Unpublished Photo Album
Silvia Peressutti
Dec. 20, 2017

DC Field	Value
dc.identifier	ECF_article_1332
dc.title	Signing merci (Duchamp Against Himself)
dc.contributor.author	Stringa Nico
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.type	Research Article
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/riviste/venezia-arti/2017/1/firmare-merci-duchamp-contro-se-stesso/
dc.relation.ispartof	Venezia Arti
dc.relation.ispartof	Vol. 26 \| December 2017
dc.issued	2017-12-20
dc.dateSubmitted	2017-07-13
dc.identifier.issn
dc.identifier.eissn	2385-2720
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.14277/2385-2720/VA-26-17-14
dc.peer-review	no
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