Journal | Rassegna iberistica
Journal issue | 39 | 106 | 2016
Research Article | Don Quijote: from the Prose of Cervantes to Contemporary Theatre
Don Quijote: from the Prose of Cervantes to Contemporary Theatre
- Veronica Orazi - Università degli Studi di Torino, Italia - email
Abstract
Study of six of the most recent and outstanding dramatisations (1999-2015) of Cervantes’s Don Quijote, such as Aventuras de Don Quijote, DQ. Don Quijote en Barcelona, El caballero de la triste figura, En un lugar de Manhattan, Elogio de la locura and En un lugar del Quijote. The analysis covers the main features of such adaptations: metanarration, metadrama, doubling of the narrative structure using other artistic languages (music, plastic arts, dance, etc.), new technologies, genre hybridisation, transmediality, etc. The original text message, actualised and re-expressed by these modernisations, stands out as an atemporal one: the plays examined demonstrate its effectiveness in contemporary society and, according to the perspective of social theater, stimulate the reflection on them.
Submitted: Feb. 3, 2016 | Accepted: May 11, 2016 | Published Dec. 7, 2016 | Language: es
Keywords Lyric Opera • Puppet Theatre • La Fura dels Baus • Don Quijote • Joglars • Contemporary Theatre • Comedians
Copyright © 2016 Veronica Orazi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/2037-6588/Ri-39-106-16-2
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- Song, H. Rosi (2016). Lost in Transition: Constructing Memory in Contemporary Spain. Liverpool: Liverpool University Press, pp. 212
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- Quintana, Lluís (2016). Caminar per la vida vella. La memòria involuntària en la literatura i l’art. València: Publicacions Universitat de València, pp. 347
- Enric Bou
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- Jiménez Varea, Jesús (2016). Narrativa gráfica. Narratología de la historieta. Madrid: Editorial Fragua, pp. 193
- Alice Favaro
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- Mallorquí-Ruscalleda, Enric; Pérez Preciado, Sandra (2015). La Kloakada. Neovanguardia latinoamericana de los 80. Zaragoza: Pórtico, pp. 282
- Julieta Zarco
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- Havilio, Iosi (2015). Pequeña flor. Buenos Aires: Penguin Random House, pp. 128
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- Silvana Serafin
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- Manuel G. Simões
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- «Veneza» (2015). Versão de Antero de Quental ilustrada com gravuras de Harry Fenn, P. Skelton, Edward Whymper Senior. Organização, introdução e notas de Andrea Ragusa. Lisboa: Pianola 10, pp. 104
- Alessandro Scarsella
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- Margarit, Joan (2015). Poesie (antologia personale). Ed. it., trad. e cura di Manuele Masini. Follonica: AlleoPoesia, pp. 147
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- Veny, Joan-Ramon (2015). Criticar el text. Per a una metodologia de l’aparat crític d’autor. Lleida: Aula Màriu Torres, Pagès Editors, pp. 213
- Marc Sogues Marco
- Dec. 7, 2016
- Brotons Capó, Magdalena (2014). El cine en Francia, 1895-1914: Reflejo de la cultura visual de una época. Santander, etc.: Genueve Ediciones, pp. 310
- Sara Antoniazzi
- Dec. 7, 2016
Reviewing Proposals
- Reviewing Proposals
- Dec. 7, 2016
| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_article_384 |
|
dc.title |
Don Quijote: from the Prose of Cervantes to Contemporary Theatre |
|
dc.contributor.author |
Orazi Veronica |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
|
dc.type |
Research Article |
|
dc.language.iso |
es |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/riviste/rassegna-iberistica/2016/106/don-quijote-de-la-prosa-cervantina-al-teatro-conte/ |
|
dc.description.abstract |
Study of six of the most recent and outstanding dramatisations (1999-2015) of Cervantes’s Don Quijote, such as Aventuras de Don Quijote, DQ. Don Quijote en Barcelona, El caballero de la triste figura, En un lugar de Manhattan, Elogio de la locura and En un lugar del Quijote. The analysis covers the main features of such adaptations: metanarration, metadrama, doubling of the narrative structure using other artistic languages (music, plastic arts, dance, etc.), new technologies, genre hybridisation, transmediality, etc. The original text message, actualised and re-expressed by these modernisations, stands out as an atemporal one: the plays examined demonstrate its effectiveness in contemporary society and, according to the perspective of social theater, stimulate the reflection on them. |
|
dc.relation.ispartof |
Rassegna iberistica |
|
dc.relation.ispartof |
Vol. 39 | Issue 106 | December 2016 |
|
dc.issued |
2016-12-07 |
|
dc.dateAccepted |
2016-05-11 |
|
dc.dateSubmitted |
2016-02-03 |
|
dc.identifier.issn |
|
|
dc.identifier.eissn |
2037-6588 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
dc.identifier.doi |
10.14277/2037-6588/Ri-39-106-16-2 |
|
dc.peer-review |
yes |
|
dc.subject |
Comedians |
|
dc.subject |
Comedians |
|
dc.subject |
Contemporary Theatre |
|
dc.subject |
Contemporary Theatre |
|
dc.subject |
Don Quijote |
|
dc.subject |
Don Quijote |
|
dc.subject |
Joglars |
|
dc.subject |
Joglars |
|
dc.subject |
La Fura dels Baus |
|
dc.subject |
La Fura dels Baus |
|
dc.subject |
Lyric Opera |
|
dc.subject |
Lyric Opera |
|
dc.subject |
Puppet Theatre |
|
dc.subject |
Puppet Theatre |
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