L’arte e ciò che ne resta fuori

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Campo DC	Valore
dc.identifier	ECF_article_457
dc.title	L’arte e ciò che ne resta fuori. L’esempio di The Store di Claes Oldenburg
dc.contributor.author	Lüthy Michael
dc.contributor.author	Schieder Bernard
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.type	Articolo
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/riviste/venezia-arti/2016/1/larte-e-cio-che-ne-resta-fuori/
dc.description.abstract	Critical discourse on visual arts has dealt with art’s economic implications at least since the Fifties. At the same time, it becomes evident that artworks start to reflect on their relationship with consumer culture. This paper argues how the line is drawn in visual arts and sometimes blurred between art and its outer. In order to corroborate this assumption, the paper analyses the institutional, medial and economic pre-conditions of the field of visual arts. For this purpose, the paper will outline today’s trends in the art market, as well as in the museum and exhibition sector. In conclusion, the paper substantiates the tense relationships between art and consumption on the basis of Claes Oldenburg’s The Store.
dc.relation.ispartof	Venezia Arti
dc.relation.ispartof	Vol. 25 \| Dicembre 2016
dc.issued	2016-12-20
dc.identifier.issn
dc.identifier.eissn	2385-2720
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.14277/2385-2720/VA-25-16-5
dc.peer-review	no
dc.subject	Art market
dc.subject	Art market
dc.subject	Claes Oldenburg
dc.subject	Claes Oldenburg
dc.subject	Consumer culture
dc.subject	Consumer culture
dc.subject	‘The Store’
dc.subject	‘The Store’

Articolo
open access

L’esempio di The Store di Claes Oldenburg

Michael Lüthy Bauhaus Universität Weimar, Deutschland

Bernard Schieder Freie Universität Berlin, Deutschland

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abstract

Critical discourse on visual arts has dealt with art’s economic implications at least since the Fifties. At the same time, it becomes evident that artworks start to reflect on their relationship with consumer culture. This paper argues how the line is drawn in visual arts and sometimes blurred between art and its outer. In order to corroborate this assumption, the paper analyses the institutional, medial and economic pre-conditions of the field of visual arts. For this purpose, the paper will outline today’s trends in the art market, as well as in the museum and exhibition sector. In conclusion, the paper substantiates the tense relationships between art and consumption on the basis of Claes Oldenburg’s The Store.

Pubblicato

20 Dicembre 2016

Lingua

Keywords: Consumer culture • ‘The Store’ • Claes Oldenburg • Art market

permalink http://doi.org/10.14277/2385-2720/VA-25-16-5

Copyright: © 2016 Michael Lüthy, Bernard Schieder. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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