Poesía y pintura

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Campo DC	Valore
dc.identifier	ECF_article_3151
dc.title	Poesía y pintura. A propósito de Il suono impossibile della poesia. Rafael Alberti e la poesia dipinta de Loretta Frattale
dc.contributor.author	Ghignoli Alessandro
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.type	Articolo
dc.language.iso	es
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/riviste/rassegna-iberistica/2020/113/poesia-y-pintura/
dc.description.abstract	This article examines the multiple conformation that a poetic text maintains with other disciplines such as painting. We will analyse the different internal values of an openly dialogical writing in the production of the Andalusian poet Rafael Alberti, through a study by Loretta Frattale, Il suono impossibile della poesia. Rafael Alberti e la poesia dipinta. We will verify how a poem can be configured in a set of not only verbal but also visual perspectives, thus constructing a text, in the most semiological sense, that can be read in a continuous meeting of a verbovisual nature. This is a late Albertian move that prevails within the different writings of the Spanish poet.
dc.relation.ispartof	Rassegna iberistica
dc.relation.ispartof	Vol. 43 \| Num. 113 \| Giugno 2020
dc.issued	2020-06-19
dc.dateSubmitted	2020-01-09
dc.identifier.issn
dc.identifier.eissn	2037-6588
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/Ri/2037-6588/2020/113/009
dc.peer-review	no

Articolo
open access

Poesía y pintura

A propósito de Il suono impossibile della poesia. Rafael Alberti e la poesia dipinta de Loretta Frattale

Alessandro Ghignoli Universidad de Málaga, España

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abstract

This article examines the multiple conformation that a poetic text maintains with other disciplines such as painting. We will analyse the different internal values of an openly dialogical writing in the production of the Andalusian poet Rafael Alberti, through a study by Loretta Frattale, Il suono impossibile della poesia. Rafael Alberti e la poesia dipinta. We will verify how a poem can be configured in a set of not only verbal but also visual perspectives, thus constructing a text, in the most semiological sense, that can be read in a continuous meeting of a verbovisual nature. This is a late Albertian move that prevails within the different writings of the Spanish poet.

Pubblicato

19 Giugno 2020

Presentato

09 Gennaio 2020

Lingua

permalink http://doi.org/10.30687/Ri/2037-6588/2020/113/009

Copyright: © 2020 Alessandro Ghignoli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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