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Ráfagas goyescas en poetas españoles

Leonardo Romero Tobar    Universidad de Zaragoza, España    

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abstract

This article presents some examples of the written reception of Francisco de Goya’s painted works complementing the work of Nigel Glendinning, a documented and excellent connaisseur of this aspect of the work of the Aragonese painter. The presentation is organized in a historical-literary sequence that outlines the evolution of Spanish poetry throughout the twentieth century: ‘postmodernista’ poetry, avant-garde, committed poetry, and ‘Novísimos’.

Pubblicato
09 Giugno 2014
Lingua
ES
Copyright: © 2014 Leonardo Romero Tobar. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.