Su le soglie del lido

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Campo DC	Valore
dc.identifier	ECF_article_613
dc.title	Su le soglie del lido. Spazio e paesaggio nella «Nave», tra d’Annunzio e Montemezzi
dc.contributor.author	Mellace Raffaele
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.type	Articolo
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/riviste/archivio-dannunzio/2016/1/su-le-soglie-del-lido/
dc.description.abstract	In 1918 Italo Montemezzi set La nave to music, a close adaptation by Tito Ricordi of Gabriele d’Annunzio’s tragedy of the same name. The essay discusses the presence and role of landscape, together with its marginality, in the original play, in the ensuing libretto, in Montemezzi’s score and in the stage-set designs of significant historical stagings of the opera. It analyses the specific strategies the poet, the musician and the set designer enacted to stage a plot taking place at the eve of the foundation of Venice in the Adriatic Lagoon
dc.relation.ispartof	Archivio d’Annunzio
dc.relation.ispartof	Vol. 3 \| Ottobre 2016
dc.issued	2016-10-31
dc.dateAccepted	2017-01-26
dc.dateSubmitted	2016-09-13
dc.identifier.issn
dc.identifier.eissn	2421-292X
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.14277/2421-292X/AdA-3-16-5
dc.peer-review	yes
dc.subject	Adriatic Sea
dc.subject	Adriatic Sea
dc.subject	D’Annunzio
dc.subject	D’Annunzio
dc.subject	Guido Marussig
dc.subject	Guido Marussig
dc.subject	Italo Montemezzi
dc.subject	Italo Montemezzi
dc.subject	La Scala
dc.subject	La Scala
dc.subject	Tito Ricordi
dc.subject	Tito Ricordi
dc.subject	Venice
dc.subject	Venice

Articolo
open access peer reviewed

Spazio e paesaggio nella «Nave», tra d’Annunzio e Montemezzi

Raffaele Mellace Università degli Studi di Genova, Italia

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abstract

In 1918 Italo Montemezzi set La nave to music, a close adaptation by Tito Ricordi of Gabriele d’Annunzio’s tragedy of the same name. The essay discusses the presence and role of landscape, together with its marginality, in the original play, in the ensuing libretto, in Montemezzi’s score and in the stage-set designs of significant historical stagings of the opera. It analyses the specific strategies the poet, the musician and the set designer enacted to stage a plot taking place at the eve of the foundation of Venice in the Adriatic Lagoon

Pubblicato

31 Ottobre 2016

Accettato

26 Gennaio 2017

Presentato

13 Settembre 2016

Lingua

Keywords: Adriatic Sea • Tito Ricordi • Venice • D’Annunzio • Italo Montemezzi • La Scala • Guido Marussig

permalink http://doi.org/10.14277/2421-292X/AdA-3-16-5

Copyright: © 2016 Raffaele Mellace. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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