Musiche popolari e paesaggi abruzzesi nelle Novelle dannunziane

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Campo DC	Valore
dc.identifier	ECF_article_394
dc.title	Musiche popolari e paesaggi abruzzesi nelle Novelle dannunziane
dc.contributor.author	Uras Lara Sonja
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.type	Articolo
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/riviste/archivio-dannunzio/2016/1/musiche-popolari-e-paesaggi-abruzzesi-nelle-novell/
dc.description.abstract	Through his Novelle d’Annunzio offers his readers important examples of popular musical traditions from his native land; it is a profane, paraliturgic and extraliturgic music. It is a music of oral tradition that, by its very nature, is always liable to be altered, and was listened to but also practised by the poet in his youth; he manipulated it, partly transformed it and then fixed it, according to an exotic interpretation, in the abstract time of a myth. At a time when, in Italy, ethno-phonic studies were virtually non-existent, d'Annunzio manages to safeguard an important musical heritage by crystallising it in his literary work. In the Novelle music is immersed in an architectural and natural landscape that is already rich in diffused sounds and both vocal and instrumental performance, with their specific techniques, are expertly outlined.
dc.relation.ispartof	Archivio d’Annunzio
dc.relation.ispartof	Vol. 3 \| Ottobre 2016
dc.issued	2016-10-31
dc.dateAccepted	2016-10-01
dc.dateSubmitted	2016-06-09
dc.identifier.issn
dc.identifier.eissn	2421-292X
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.14277/2421-292X/Ada-3-16-1
dc.peer-review	yes
dc.subject	Abruzzo
dc.subject	Abruzzo
dc.subject	Ethnomusicology
dc.subject	Ethnomusicology
dc.subject	Folk Music
dc.subject	Folk Music
dc.subject	Gabriele d’Annunzio
dc.subject	Gabriele d’Annunzio

Articolo
open access peer reviewed

Musiche popolari e paesaggi abruzzesi nelle Novelle dannunziane

Lara Sonja Uras Docente di Storia della Musica presso il Conservatorio di Sassari

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abstract

Through his Novelle d’Annunzio offers his readers important examples of popular musical traditions from his native land; it is a profane, paraliturgic and extraliturgic music. It is a music of oral tradition that, by its very nature, is always liable to be altered, and was listened to but also practised by the poet in his youth; he manipulated it, partly transformed it and then fixed it, according to an exotic interpretation, in the abstract time of a myth. At a time when, in Italy, ethno-phonic studies were virtually non-existent, d'Annunzio manages to safeguard an important musical heritage by crystallising it in his literary work. In the Novelle music is immersed in an architectural and natural landscape that is already rich in diffused sounds and both vocal and instrumental performance, with their specific techniques, are expertly outlined.

Pubblicato

31 Ottobre 2016

Accettato

01 Ottobre 2016

Presentato

09 Giugno 2016

Lingua

Keywords: Ethnomusicology • Folk Music • Gabriele d’Annunzio • Abruzzo

permalink http://doi.org/10.14277/2421-292X/Ada-3-16-1

Copyright: © 2016 Lara Sonja Uras. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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