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Campo DC	Valore
dc.identifier	ECF_article_1842
dc.title	« Ce que j’ai fait de votre tragédie » : Et les chiens se taisaient entre écriture, réécriture et traduction
dc.contributor.author	Sofo Giuseppe
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.type	Articolo
dc.language.iso	fr
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/riviste/annali-di-ca-foscari-serie-occidentale/2019/1/ce-que-jai-fait-de-votre-tragedie-et-les-chiens-se/
dc.description.abstract	Und die Hunde schwiegen is the German version of Aimé Césaire’s first play, Et les chiens se taisaient, first published in the poetry collection Les Armes miraculeuses. Césaire reworked the text several times, especially through his collaboration with Janheinz Jahn, a German translator who played a fundamental role in the reception of Francophone African and Caribbean literature in post-war Germany. In this article, the collaboration between Césaire and his translator, which resulted in a parallel version of the text in German, will be analysed. The paths of writing and rewriting of the tragedy between French and German, thus, give us the opportunity to study the collaboration between Césaire and Jahn, as well as the proximity between rewriting and translation.
dc.relation.ispartof	Annali di Ca’ Foscari. Serie occidentale
dc.relation.ispartof	Vol. 53 \| Settembre 2019
dc.issued	2019-09-26
dc.dateAccepted	2019-05-15
dc.dateSubmitted	2019-04-09
dc.identifier.issn
dc.identifier.eissn	2499-1562
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/AnnOc/2499-1562/2019/01/006
dc.peer-review	yes
dc.subject	Aimé Césaire
dc.subject	Aimé Césaire
dc.subject	Drama
dc.subject	Drama
dc.subject	Janheinz Jahn
dc.subject	Janheinz Jahn
dc.subject	Revision
dc.subject	Revision
dc.subject	Rewriting
dc.subject	Rewriting
dc.subject	Translation
dc.subject	Translation

Articolo
open access peer reviewed

« Ce que j’ai fait de votre tragédie » : Et les chiens se taisaient entre écriture, réécriture et traduction

Giuseppe Sofo Università Ca’ Foscari Venezia, Italia

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abstract

Und die Hunde schwiegen is the German version of Aimé Césaire’s first play, Et les chiens se taisaient, first published in the poetry collection Les Armes miraculeuses. Césaire reworked the text several times, especially through his collaboration with Janheinz Jahn, a German translator who played a fundamental role in the reception of Francophone African and Caribbean literature in post-war Germany. In this article, the collaboration between Césaire and his translator, which resulted in a parallel version of the text in German, will be analysed. The paths of writing and rewriting of the tragedy between French and German, thus, give us the opportunity to study the collaboration between Césaire and Jahn, as well as the proximity between rewriting and translation.

Pubblicato

26 Settembre 2019

Accettato

15 Maggio 2019

Presentato

09 Aprile 2019

Lingua

Keywords: Translation • Rewriting • Aimé Césaire • Janheinz Jahn • Revision • Drama

permalink http://doi.org/10.30687/AnnOc/2499-1562/2019/01/006

Copyright: © 2019 Giuseppe Sofo. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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