Los godos de Cervantes

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Campo DC	Valore
dc.identifier	ECF_article_1389
dc.title	Los godos de Cervantes
dc.contributor.author	Sáez Adrián J.
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.type	Articolo
dc.language.iso	es
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/riviste/rassegna-iberistica/2018/110/los-godos-de-cervantes/
dc.description.abstract	The present work aims to trace a panoramic view of the presence and function of Visigothic elements in Cervantes’ work. The article pays attention to appearances of Gothic characters and episodes in theatre (La Numancia), the Quijote and poetry, which is crucial to examine the evocation of Spain’s Gothic past in the Persiles (III, 8), a passage which is meant as a minichorography that replies to Toledo’s efforts to recover its symbolical power (political and religious), in a new area of conflict with Lope and Avellaneda.
dc.relation.ispartof	Rassegna iberistica
dc.relation.ispartof	Vol. 41 \| Num. 110 \| Dicembre 2018
dc.issued	2018-12-11
dc.dateAccepted	2018-06-14
dc.dateSubmitted	2017-10-30
dc.identifier.issn
dc.identifier.eissn	2037-6588
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/Ri/2037-6588/2018/110/002
dc.peer-review	yes
dc.subject	Avellaneda
dc.subject	Avellaneda
dc.subject	Cervantes
dc.subject	Cervantes
dc.subject	Chorography
dc.subject	Chorography
dc.subject	Goths
dc.subject	Goths
dc.subject	Lope de Vega
dc.subject	Lope de Vega
dc.subject	National identity
dc.subject	National identity
dc.subject	Neogothic myth
dc.subject	Neogothic myth
dc.subject	Persiles
dc.subject	Persiles
dc.subject	Toledo
dc.subject	Toledo

Articolo
open access peer reviewed

Adrián J. Sáez Università Ca’ Foscari Venezia, Italia

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abstract

The present work aims to trace a panoramic view of the presence and function of Visigothic elements in Cervantes’ work. The article pays attention to appearances of Gothic characters and episodes in theatre (La Numancia), the Quijote and poetry, which is crucial to examine the evocation of Spain’s Gothic past in the Persiles (III, 8), a passage which is meant as a minichorography that replies to Toledo’s efforts to recover its symbolical power (political and religious), in a new area of conflict with Lope and Avellaneda.

Pubblicato

11 Dicembre 2018

Accettato

14 Giugno 2018

Presentato

30 Ottobre 2017

Lingua

Keywords: Goths • National identity • Cervantes • Chorography • Neogothic myth • Persiles • Avellaneda • Lope de Vega • Toledo

permalink http://doi.org/10.30687/Ri/2037-6588/2018/110/002

Copyright: © 2018 Adrián J. Sáez. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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