Rivista | Rassegna iberistica
Fascicolo | 41 | 110 | 2018
Articolo | Los godos de Cervantes

Los godos de Cervantes

Abstract

The present work aims to trace a panoramic view of the presence and function of Visigothic elements in Cervantes’ work. The article pays attention to appearances of Gothic characters and episodes in theatre (La Numancia), the Quijote and poetry, which is crucial to examine the evocation of Spain’s Gothic past in the Persiles (III, 8), a passage which is meant as a minichorography that replies to Toledo’s efforts to recover its symbolical power (political and religious), in a new area of conflict with Lope and Avellaneda.


Open access | Peer reviewed

Presentato: 30 Ottobre 2017 | Accettato: 14 Giugno 2018 | Pubblicato 11 Dicembre 2018 | Lingua: es

Keywords Toledo Lope de Vega Persiles Cervantes Chorography National identity Neogothic myth Avellaneda Goths

Copyright © 2018 Adrián J. Sáez. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Permalink http://doi.org/10.30687/Ri/2037-6588/2018/110/002


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