Vol. 4 | Ottobre 2017
Lingua: it
Pubblicato: 05 Ottobre 2017
Valerij Brjusov • Musical Dramaturgy • Models • Ekphrasis • Actor • Alexander Lensky • Nikolay Evreinov • Francesca da Rimini • La Nave • Ruggeri • Dramatic writing • Theatre production • Episcopo, the ridicolous man • Madness • Tragedy • Gabriellino d’Annunzio • Loves • French literature • Abba • Changes • Dramaturgy • Luigi Rasi • Publicity launch • Russian theatre • Tragedies • Trampled dignity • Vanguard • Early sound cinema • Stage • Grotesque melodrama • Pirandello • Acting techniques • Figlia di Iorio • Acting • D’Annunzio • Malyj Theater • Phoné • Valerij Brjusov • Writing • Film music • Candour • Career • Dramatist • Plays • Fears • Sleep • Carmelo Bene • Denarrativisation • Silent cinema • Symbolism • Theatre • Direction • Betrayed sentiments • Actor and dramatist • Eleonora Duse • Stage directions • Violence and humiliations • De Chirico • Myth • Translation • Death • Vera Komissarzhevskaya • Royal School of Acting, Florence