Un teatro, quizá, demasiado ‘novelesco’

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Campo DC	Valore
dc.identifier	ECF_chapter_958
dc.contributor.author	Macedo Giselle
dc.title	Un teatro, quizá, demasiado ‘novelesco’. Algunas consideraciones acerca de la composición dramática de Cervantes
dc.type	Capitolo
dc.language.iso	it
dc.description.abstract	There is much criticism that focuses on searching for dramatic elements in Miguel de Cervantes’ novels. However, it is possible to observe other interactions between genres, present not only in his narrative, but also in his theater. Cervantes was undoubtedly an expert in the art of ‘romanticizing’ and his technique seems to push the boundaries of genres and contaminate El Quijote and Las novelas ejemplares with elements of drama, theater ‘not shown’ with features of narrative. The aim of this paper is to offer some reflections on certain hybridity between the form of the drama and the novel, verified in Cervantes’ plays, especially in his Ocho comedias y ocho entremeses nuevos nunca representados (1615), in order to identify potential interference of the constituent elements of the novel and the short story in Cervantes’ works. It becomes thus possible to identify a connection between action, common in comedy, and exposure of a complexity of intimacies and psychologies, linked to narrating, which can result in a type of theater that is ‘too literary’.
dc.relation.ispartof	Biblioteca di Rassegna iberistica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2017-07-03
dc.dateAccepted	2016-12-14
dc.dateSubmitted	2015-07-13
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-164-5/un-teatro-quiza-demasiado-novelesco/
dc.identifier.doi	10.14277/6969-163-8/RiB-5-51
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-164-5
dc.identifier.eisbn	978-88-6969-163-8
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Cervantes
dc.subject	Cervantes
dc.subject	Spanish Golden Age
dc.subject	Spanish Golden Age
dc.subject	Spanish Novel
dc.subject	Spanish Novel
dc.subject	Theater
dc.subject	Theater

Capitolo
open access peer reviewed

Un teatro, quizá, demasiado ‘novelesco’

Algunas consideraciones acerca de la composición dramática de Cervantes

Giselle Macedo Universitat Autònoma de Barcelona, Espanya

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abstract

There is much criticism that focuses on searching for dramatic elements in Miguel de Cervantes’ novels. However, it is possible to observe other interactions between genres, present not only in his narrative, but also in his theater. Cervantes was undoubtedly an expert in the art of ‘romanticizing’ and his technique seems to push the boundaries of genres and contaminate El Quijote and Las novelas ejemplares with elements of drama, theater ‘not shown’ with features of narrative. The aim of this paper is to offer some reflections on certain hybridity between the form of the drama and the novel, verified in Cervantes’ plays, especially in his Ocho comedias y ocho entremeses nuevos nunca representados (1615), in order to identify potential interference of the constituent elements of the novel and the short story in Cervantes’ works. It becomes thus possible to identify a connection between action, common in comedy, and exposure of a complexity of intimacies and psychologies, linked to narrating, which can result in a type of theater that is ‘too literary’.

Accettato

14 Dicembre 2016

Presentato

13 Luglio 2015

Lingua

ISBN (PRINT)

978-88-6969-164-5

ISBN (EBOOK)

978-88-6969-163-8

Keywords: Spanish Novel • Cervantes • Theater • Spanish Golden Age

permalink: http://doi.org/10.14277/6969-163-8/RiB-5-51

Copyright: © 2017 Giselle Macedo. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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