Reelaboración y reescritura de la Gerusalemme Liberata en La conquista

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Campo DC	Valore
dc.identifier	ECF_chapter_991
dc.contributor.author	Antonucci Fausta
dc.title	Reelaboración y reescritura de la Gerusalemme Liberata en La conquista de Jerusalén por Godofre de Bullón, atribuida a Cervantes
dc.type	Capitolo
dc.language.iso	it
dc.description.abstract	La conquista de Jerusalén, an anonymous play composed before 1586 which Stefano Arata attributes to Miguel de Cervantes, borrows parts of its plot from La Gerusalemme liberata (1581), an epic poem by Torquato Tasso. My purpose is to deepen the observations that Arata already made in 1992 on the relationship between the two texts, examining the reprocessing strategies adopted by the dramatist. I will compare the sequences that show an accurate adaptation of the Italian poem, with other sequences that, in contrast, diverge from La Gerusalemme, although still taking into account the relationship between its characters (Olindo and Sofronia, Tancredi, Erminia and Clorinda). This will allow us to appreciate the dramatic skills of the author, and strenghten the hypothesis that Cervantes wrote the drama.
dc.relation.ispartof	Biblioteca di Rassegna iberistica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2017-07-03
dc.dateAccepted	2016-03-31
dc.dateSubmitted	2015-07-22
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-164-5/reelaboracion-y-reescritura-de-la-gerusalemme-libe/
dc.identifier.doi	10.14277/6969-163-8/RiB-5-30
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-164-5
dc.identifier.eisbn	978-88-6969-163-8
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Cervantes
dc.subject	Cervantes
dc.subject	Epic and Drama
dc.subject	Epic and Drama
dc.subject	Intertextuality
dc.subject	Intertextuality
dc.subject	La Gerusalemme liberata
dc.subject	La Gerusalemme liberata

Capitolo
open access peer reviewed

Reelaboración y reescritura de la Gerusalemme Liberata en La conquista de Jerusalén por Godofre de Bullón, atribuida a Cervantes

Fausta Antonucci Università degli Studi Roma Tre, Italia

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abstract

La conquista de Jerusalén, an anonymous play composed before 1586 which Stefano Arata attributes to Miguel de Cervantes, borrows parts of its plot from La Gerusalemme liberata (1581), an epic poem by Torquato Tasso. My purpose is to deepen the observations that Arata already made in 1992 on the relationship between the two texts, examining the reprocessing strategies adopted by the dramatist. I will compare the sequences that show an accurate adaptation of the Italian poem, with other sequences that, in contrast, diverge from La Gerusalemme, although still taking into account the relationship between its characters (Olindo and Sofronia, Tancredi, Erminia and Clorinda). This will allow us to appreciate the dramatic skills of the author, and strenghten the hypothesis that Cervantes wrote the drama.

Accettato

31 Marzo 2016

Presentato

22 Luglio 2015

Lingua

ISBN (PRINT)

978-88-6969-164-5

ISBN (EBOOK)

978-88-6969-163-8

Keywords: Intertextuality • La Gerusalemme liberata • Cervantes • Epic and Drama

permalink: http://doi.org/10.14277/6969-163-8/RiB-5-30

Copyright: © 2017 Fausta Antonucci. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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