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Campo DC	Valore
dc.identifier	ECF_chapter_734
dc.contributor.author	De Min Silvia
dc.title	«A Poetry of Moving Images». La costruzione dell'immagine sulla scena beckettiana
dc.type	Capitolo
dc.language.iso	it
dc.description.abstract	This paper investigates the principles of the construction of the dramatic image in Beckett’s works. The starting point is the analysis of the short prose L’image. Following the suggestions of an ecfrastic theory, it is possible to identify the performative elements involved in the construction of the vision with the writing process. The same elements are then studied in the theatrical practice particularly focusing upon: the fragmentation of the textual image; the fragmentation of the body and of the subject on stage; the dynamic process between movement and frozen image.
dc.relation.ispartof	Studi e ricerche
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2017-05-09
dc.dateSubmitted	2017-03-30
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-157-7/a-poetry-of-moving-images/
dc.identifier.doi	10.14277/6969-156-0/SR-7-2
dc.identifier.issn	2610-993X
dc.identifier.eissn	2610-9123
dc.identifier.isbn	978-88-6969-157-7
dc.identifier.eisbn	978-88-6969-156-0
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Irish theatre
dc.subject	Irish theatre
dc.subject	L’image
dc.subject	L’image
dc.subject	Modernism
dc.subject	Modernism
dc.subject	Samuel Beckett
dc.subject	Samuel Beckett
dc.subject	Ékphrasis
dc.subject	Ékphrasis

Capitolo
open access

«A Poetry of Moving Images»

La costruzione dell'immagine sulla scena beckettiana

Silvia De Min Università Ca’ Foscari Venezia, Italia

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abstract

This paper investigates the principles of the construction of the dramatic image in Beckett’s works. The starting point is the analysis of the short prose L’image. Following the suggestions of an ecfrastic theory, it is possible to identify the performative elements involved in the construction of the vision with the writing process. The same elements are then studied in the theatrical practice particularly focusing upon: the fragmentation of the textual image; the fragmentation of the body and of the subject on stage; the dynamic process between movement and frozen image.

Presentato

30 Marzo 2017

Lingua

ISBN (PRINT)

978-88-6969-157-7

ISBN (EBOOK)

978-88-6969-156-0

Keywords: Irish theatre • Modernism • Ékphrasis • Samuel Beckett • L’image

permalink: http://doi.org/10.14277/6969-156-0/SR-7-2

Copyright: © 2017 Silvia De Min. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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