Historieta o Cómic

Historieta o Cómic

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ISBN (print)
978-88-6969-145-4

ISBN (ebook)
978-88-6969-146-1

ISSN
chevron_right2610-8844

e-ISSN
chevron_right2610-9360

Data pubblicazione
27 Apr 2017

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Historieta o Cómic | 4

Carlos Giménez y la historieta responsable

Luz Celestina Souto
Universitat de València, España
luz.souto@uv.es

DOI 10.14277/6969-146-1/RiB-4-8

Abstract

In the last decade, there has been a growing interest across many disciplines in the revision of the traumatic events that marked Spain’s past. During the publishing boom, the comic has shown interest around the topic of historical memory. Among the most important comics that have left evidence about bloody episodes of the Civil War and the first years of post-war we can find Paracuellos (Carlos Gimenez). An autobiographical comic that speaks about the experiences of the author in the Auxilio Social centres. In their cartoons we can see a childhood marked by the defeat, children who were stigmatized as children of the losers. This article analyses the use of the comic as an instrument of collective memory, as the transmission of the testimony to future generations and as a condemnation of Francoist Spain.

Keywords
Comic. Auxilio Social. Carlos Giménez. Historical. Franquism.


Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License 

Sommario
×
Campo DC Valore

dc.contributor.author

Souto Luz Celestina

dc.title

Carlos Giménez y la historieta responsable

dc.type

Book Chapter

dc.language.iso

it

dc.description.abstract

In the last decade, there has been a growing interest across many disciplines in the revision of the traumatic events that marked Spain’s past. During the publishing boom, the comic has shown interest around the topic of historical memory. Among the most important comics that have left evidence about bloody episodes of the Civil War and the first years of post-war we can find Paracuellos (Carlos Gimenez). An autobiographical comic that speaks about the experiences of the author in the Auxilio Social centres. In their cartoons we can see a childhood marked by the defeat, children who were stigmatized as children of the losers. This article analyses the use of the comic as an instrument of collective memory, as the transmission of the testimony to future generations and as a condemnation of Francoist Spain.

dc.relation.ispartof

Biblioteca di Rassegna iberistica

dc.publisher

Edizioni Ca’ Foscari - Digital Publishing

dc.date.issued

None

dc.dateAccepted

2016-09-12

dc.dateSubmitted

None

dc.identifier.uri

http://doi.org/10.14277/6969-146-1/RiB-4-8

dc.identifier.issn

2610-8844

dc.identifier.eissn

2610-9360

dc.identifier.isbn

978-88-6969-145-4

dc.identifier.eisbn

978-88-6969-146-1

dc.rights

Creative Commons 4.0 Attribution alone

dc.rights.uri

http://creativecommons.org/licenses/by/4.0/

item.fulltext

with fulltext

item.grantfulltext

open

dc.subject

Comic

dc.subject

Auxilio Social

dc.subject

Carlos Giménez

dc.subject

Historical

dc.subject

Franquism

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