Nomi propri e lusus retorici nella poesia centonaria

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Campo DC	Valore
dc.identifier	ECF_chapter_553
dc.contributor.author	Pagnotta Cristina
dc.title	Nomi propri e lusus retorici nella poesia centonaria
dc.type	Capitolo
dc.language.iso	it
dc.description.abstract	Considered for a long time as mere literary works and school products, based on both compositional skills and memory rather than on poetical inspiration, centos were composed by a grammaticus or scholasticus, who used to put together hemistiches excerpted from Virgil’s works, combining them as in a patchwork, in order to forge a composition that had to be original in terms of content, but expressed, as much as possible, only through Virgilian verses. This paper offers an insight of onomastic techniques, such as the figures of speech of paronomasia, periphrasis and antonomasia, in three mythological and secular Virgilian centos from the Anthologia Latina, presumably composed in Africa between 200 and 534: Hosidius Geta’s Medea, Luxurius’ Epithalamium Fridi and Alcesta.
dc.relation.ispartof	Studi e ricerche
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2016-11-22
dc.dateSubmitted	2016-10-06
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-111-9/nomi-propri-e-lusus-retorici-nella-poesia-centonar/
dc.identifier.doi	10.14277/6969-110-2/SR-3-5
dc.identifier.issn	2610-993X
dc.identifier.eissn	2610-9123
dc.identifier.isbn	978-88-6969-111-9
dc.identifier.eisbn	978-88-6969-110-2
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Anthologia Latina
dc.subject	Anthologia Latina
dc.subject	Onomastic techniques
dc.subject	Onomastic techniques
dc.subject	Virgilian centos
dc.subject	Virgilian centos

Capitolo
open access

Nomi propri e lusus retorici nella poesia centonaria

Cristina Pagnotta Università degli Studi di Perugia, Italia

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abstract

Considered for a long time as mere literary works and school products, based on both compositional skills and memory rather than on poetical inspiration, centos were composed by a grammaticus or scholasticus, who used to put together hemistiches excerpted from Virgil’s works, combining them as in a patchwork, in order to forge a composition that had to be original in terms of content, but expressed, as much as possible, only through Virgilian verses. This paper offers an insight of onomastic techniques, such as the figures of speech of paronomasia, periphrasis and antonomasia, in three mythological and secular Virgilian centos from the Anthologia Latina, presumably composed in Africa between 200 and 534: Hosidius Geta’s Medea, Luxurius’ Epithalamium Fridi and Alcesta.

Presentato

06 Ottobre 2016

Lingua

ISBN (PRINT)

978-88-6969-111-9

ISBN (EBOOK)

978-88-6969-110-2

Keywords: Virgilian centos • Onomastic techniques • Anthologia Latina

permalink: http://doi.org/10.14277/6969-110-2/SR-3-5

Copyright: © 2016 Cristina Pagnotta. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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