Listening to Pablo García Baena

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DC Field	Value
dc.identifier	ECF_article_4115
dc.title	Listening to Pablo García Baena. Notes on the Translation of Rumore occulto
dc.contributor.author	Mistrorigo Alessandro
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.type	Research Article
dc.language.iso	es
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/riviste/rassegna-iberistica/2020/114/escuchando-a-pablo-garcia-baena/
dc.description.abstract	The article focuses on the Spanish poet Pablo García Baena’s first Italian anthology, Rumore occulto, published by Passigli Editori in 2018. It demonstrates how audio recordings can inform translation process especially when dealing with poetry. By collecting and examining specific recordings where García Baena reads aloud some of his poems, the study shows in what way this author uses prosodic tools as caesura and enjambment to modify the versification of his poems. In these specific recordings, translator can listen to how author’s voice rearranges the printed poem and use these variations to reproduce specific metrics and rhythm in the target language too. This type of recordings also helps with semantics; in fact, interpreting the poem following the author’s vocal action on the original text can be beneficial to make a better lexical choice.
dc.relation.ispartof	Rassegna iberistica
dc.relation.ispartof	Vol. 43 \| Issue 114 \| December 2020
dc.issued	2020-11-10
dc.dateAccepted	2020-10-21
dc.dateSubmitted	2019-12-10
dc.identifier.issn
dc.identifier.eissn	2037-6588
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/Ri/2037-6588/2020/114/002
dc.peer-review	yes
dc.subject	Audio recording
dc.subject	Audio recording
dc.subject	Grabación de audio
dc.subject	Grabación de audio
dc.subject	Lectura poética
dc.subject	Lectura poética
dc.subject	Metrics
dc.subject	Metrics
dc.subject	Métrica
dc.subject	Métrica
dc.subject	Pablo García Baena
dc.subject	Pablo García Baena
dc.subject	Poesía española
dc.subject	Poesía española
dc.subject	Poetry reading
dc.subject	Poetry reading
dc.subject	Spanish poetry
dc.subject	Spanish poetry
dc.subject	Traducción
dc.subject	Traducción
dc.subject	Translation
dc.subject	Translation
dc.subject	Voice
dc.subject	Voice
dc.subject	Voz
dc.subject	Voz
dc.subject	\| Pablo García Baena
dc.subject	\| Pablo García Baena

Research Article
open access peer reviewed

Notes on the Translation of Rumore occulto

Alessandro Mistrorigo Università Ca’ Foscari Venezia, Italia

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abstract

The article focuses on the Spanish poet Pablo García Baena’s first Italian anthology, Rumore occulto, published by Passigli Editori in 2018. It demonstrates how audio recordings can inform translation process especially when dealing with poetry. By collecting and examining specific recordings where García Baena reads aloud some of his poems, the study shows in what way this author uses prosodic tools as caesura and enjambment to modify the versification of his poems. In these specific recordings, translator can listen to how author’s voice rearranges the printed poem and use these variations to reproduce specific metrics and rhythm in the target language too. This type of recordings also helps with semantics; in fact, interpreting the poem following the author’s vocal action on the original text can be beneficial to make a better lexical choice.

Published

Nov. 10, 2020

Accepted

Oct. 21, 2020

Submitted

Dec. 10, 2019

Language

Keywords: Audio recording • Grabación de audio • Poetry reading • Spanish poetry • Pablo García Baena • Translation • Voz • Métrica • Metrics • Lectura poética • | Pablo García Baena • Voice • Traducción • Poesía española

permalink http://doi.org/10.30687/Ri/2037-6588/2020/114/002

Copyright: © 2020 Alessandro Mistrorigo. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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