Honor de Cavalleria, Reflections on the ‘Quijjote' by Albert Serra

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DC Field	Value
dc.identifier	ECF_article_1388
dc.title	Honor de Cavalleria, Reflections on the ‘Quijjote' by Albert Serra
dc.contributor.author	Palladino Nicola
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.type	Research Article
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/riviste/rassegna-iberistica/2018/109/honor-de-cavalleria-riflessioni-sul-quijjote-di-al/
dc.description.abstract	This article discusses the cinematographic adaptation of Cervantes’ Don Quijote done by Spanish director Albert Serra (2006). Honor de cavalleria, which became a book in 2010, confounded and baffled Spanish critics for its lack of ‘adventures’, dialogues and characters, and the unaffected performances of the cast: El Quijote (Lluís Carbó) and Sancho (Lluís Serrat) lost in a row landscapes. The article considers the validity and strength of Serra’s controversial setting, taking into consideration some Quijote’s cinematographic ‘models’ and adaptations.
dc.relation.ispartof	Rassegna iberistica
dc.relation.ispartof	Vol. 41 \| Issue 109 \| June 2018
dc.issued	2018-06-11
dc.dateSubmitted	2017-10-11
dc.identifier.issn
dc.identifier.eissn	2037-6588
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/Ri/2037-6588/2018/109/010
dc.peer-review	no

Research Article
open access

Honor de Cavalleria, Reflections on the ‘Quijjote' by Albert Serra

Nicola Palladino Università degli Studi della Campania «Luigi Vanvitelli», Italia

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abstract

This article discusses the cinematographic adaptation of Cervantes’ Don Quijote done by Spanish director Albert Serra (2006). Honor de cavalleria, which became a book in 2010, confounded and baffled Spanish critics for its lack of ‘adventures’, dialogues and characters, and the unaffected performances of the cast: El Quijote (Lluís Carbó) and Sancho (Lluís Serrat) lost in a row landscapes. The article considers the validity and strength of Serra’s controversial setting, taking into consideration some Quijote’s cinematographic ‘models’ and adaptations.

Published

June 11, 2018

Submitted

Oct. 11, 2017

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permalink http://doi.org/10.30687/Ri/2037-6588/2018/109/010

Copyright: © 2018 Nicola Palladino. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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