Il colore in Terra vergine di d’Annunzio: bibliografia critica e…

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DC Field	Value
dc.identifier	ECF_article_14516
dc.title	Il colore in Terra vergine di d’Annunzio: bibliografia critica e nuova proposta di lettura
dc.contributor.author	Santoli Carlo
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.type	Research Article
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/riviste/archivio-dannunzio/2023/1/il-colore-in-terra-vergine-di-dannunzio-bibliograf/
dc.description.abstract	The article offers a new figurative reading of Terra Vergine (1882), focusing attention on the colour of the sketches of d’Annunzio’s novels and retracing the critical bibliography, in order to outline the pictorial innovation, but without evading the prodromes in the poetic collections Primo vere (1879) and Canto novo (1882). In fact, they are important for demonstrating how d’Annunzio can be considered the architect of certain technical mechanisms typical of cinematography (even modern), capable of effectively conveying a sense of the ‘wonderful’ and the ‘sublime’.
dc.relation.ispartof	Archivio d’Annunzio
dc.relation.ispartof	Vol. 10 \| October 2023
dc.issued	2023-10-26
dc.dateAccepted	2023-07-06
dc.dateSubmitted	2023-02-27
dc.identifier.issn
dc.identifier.eissn	2421-292X
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/AdA/2421-292X/2023/01/005
dc.peer-review	yes
dc.subject	Canto novo
dc.subject	Cinema
dc.subject	Colour
dc.subject	Innovation
dc.subject	Primo vere
dc.subject	Terra vergine

Research Article
open access peer reviewed

Il colore in Terra vergine di d’Annunzio: bibliografia critica e nuova proposta di lettura

Carlo Santoli Università degli Studi di Salerno, Italia

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abstract

The article offers a new figurative reading of Terra Vergine (1882), focusing attention on the colour of the sketches of d’Annunzio’s novels and retracing the critical bibliography, in order to outline the pictorial innovation, but without evading the prodromes in the poetic collections Primo vere (1879) and Canto novo (1882). In fact, they are important for demonstrating how d’Annunzio can be considered the architect of certain technical mechanisms typical of cinematography (even modern), capable of effectively conveying a sense of the ‘wonderful’ and the ‘sublime’.

Published

Oct. 26, 2023

Accepted

July 6, 2023

Submitted

Feb. 27, 2023

Language

Keywords: Cinema • Innovation • Primo vere • Terra vergine • Colour • Canto novo

permalink http://doi.org/10.30687/AdA/2421-292X/2023/01/005

Copyright: © 2023 Carlo Santoli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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