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Archivio d’Annunzio | Vol. 2 | October 2015

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Research Article

Il romanzo veneziano e la tradizione musicale italiana

Gianni Oliva    Università degli Studi «G. D’Annunzio» Chieti-Pescara, Italia    

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abstract

If the Fuoco is usually interpreted as the Wagnerian novel par excellence, it does not have to be underestimated the support that d’Annunzio gives the Italian music, especially the tradition that comes from Palestrina to Benedetto Marcello and to the divine Claudio Monteverdi, whose name, linked to the Lamento di Arianna, generates a devotional respect among the guests of Foscarina’s house. The exploration of d'Annunzio's wide musical culture is not original but finds its sources in the Histoire de l'Opera en Europe by Romain Rolland, already reported by Guy Tosi and now investigated with original results.

Published
Oct. 31, 2015
Accepted
May 12, 2016
Submitted
Sept. 4, 2015
Language
IT

Keywords: Venice • D’Annunzio Prose Writer • Music

permalink http://doi.org/10.14277/2421-292X/AdA-2-15-1

Copyright: © 2015 Gianni Oliva. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.