Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

The Artist’s Signature. Authorship, Self-Consciousness, Identity and Artistic Legacy

open access | peer reviewed
Abstract

Keywords Sanatorium • Cathedral at Monza • Essay Film • Rebus • Happening • Paggi • Permanence • Toponym • Bacchanal • Museum display • Parma • Requiescat in Pace Corradinus • Faciebat • Romanesque (France) • Artists’ names • Epigraphy • Modern painting • Angilbertus • Genoa • Literacy • Medieval Epigraphy • Intellectual • Museo Storico Navale • Samuel Beckett's Film • Anonymity • Gothic Venetian Painting • Iconology • Woodcut • Edvard Munch • Authorship • Jan van Eyck • Woodblocks • Archive Footage • 1972 • Devotion • Zavattari • Signature • Torre Astura • Contemporary Art • Art history • Byzantine artist • Art workshops • Written culture • Inscription • Golden Altar • Byzantine epigraphy • 1968 • Andri • Photography • Alighiero Boetti • Galleria La Salita • Medieval Apulia • Morganatic Marriage • Medieval Artist • Clinic • Lorenzo Veneziano • Self-staging • Soliani • Stories of Theodelinda • Illusion • Found Footage • Annunciation • Arnolfini • Tiziano • Invention of the Artist • Imperfect • Parapet • Duplication • Pino Pascali • Volvinus • Memorial

Permalink http://doi.org/10.14277/2385-2720/VA-26-17 | Published Dec. 20, 2017 | Language it, en

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