MDCCC 1800
7 | 2018

MDCCC 1800
7 | 2018

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chevron_rightArts

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it

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Vol. 7 | Num. 1 | Luglio 2018

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MDCCC 1800 | 7 | 2018

Disvelando pale, effigi e panneggi
Le ricognizioni danesi di Crowe e Cavalcaselle

Fabio Franz
University of Warwick, UK
franzfabio@gmail.com

DOI 10.30687/MDCCC/2280-8841/2018/01/006

Submitted 15 May 2018
Accepted 06 Jun 2018

Abstract

Art-historical partners J. A. Crowe (1851) and G. B. Cavalcaselle (1865) made individual surveys in Denmark. This paper speculates on their interactions with Danish expert N. L. Høyen. It focuses on Cavalcaselle’s Danish sketches (Marciana, Venice). It also offers new perspectives on G. F. Waagen’s stay in Copenhagen (1868). It expounds on the fortuna and conservation history of the Man of Sorrow by Mantegna, the alleged Portrait of Antonio Galli and other – mostly Valenti Gonzaga – paintings now in the Statens Museum for Kunst. It investigates the 19th-century criticism of draperies by Mantegna and Leonardo. It hypothesyses the identification of a Portrait of Thomas Gresham.

Keywords
Connoisseurship. N.L. Høyen. Andrea Mantegna. Valenti Gonzaga. Titian.

Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License 

Table of contents
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Campo DC Valore

dc.contributor.author

Franz Fabio

dc.title

Disvelando pale, effigi e panneggi

dc.type

Journal Article

dc.language.iso

it

dc.identifier.uri

http://doi.org/10.14277/2280-8841/2018/001/06

dc.description.abstract

Art-historical partners J. A. Crowe (1851) and G. B. Cavalcaselle (1865) made individual surveys in Denmark. This paper speculates on their interactions with Danish expert N. L. Høyen. It focuses on Cavalcaselle’s Danish sketches (Marciana, Venice). It also offers new perspectives on G. F. Waagen’s stay in Copenhagen (1868). It expounds on the fortuna and conservation history of the Man of Sorrow by Mantegna, the alleged Portrait of Antonio Galli and other – mostly Valenti Gonzaga – paintings now in the Statens Museum for Kunst. It investigates the 19th-century criticism of draperies by Mantegna and Leonardo. It hypothesyses the identification of a Portrait of Thomas Gresham.

dc.relation.ispartof

MDCCC 1800

dc.relation.ispartof

Vol. 7 | Num. 1 | Luglio 2018

dc.publisher

Edizioni Ca’ Foscari - Digital Publishing

dc.date.issued

2018-07-31

dc.dateAccepted

2018-05-15

dc.dateSubmitted

2018-06-06

dc.identifier.issn

dc.identifier.eissn

2280-8841

dc.rights

Creative Commons 4.0 Attribution alone

dc.rights.uri

http://creativecommons.org/licenses/by/4.0/

dc.subject

Connoisseurship

dc.subject

N

dc.subject

L

dc.subject

Høyen

dc.subject

Andrea Mantegna

dc.subject

Valenti Gonzaga

dc.subject

Titian

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