MDCCC 1800
7 | 2018

MDCCC 1800
7 | 2018

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Vol. 7 | Num. 1 | Luglio 2018

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MDCCC 1800 | 7 | 2018

Artistas y decoradores en el Teatro Municipal de San Nicolás de los Arroyos a principios del siglo XX
Mediaciones entre centros y periferias de la Argentina urbana del litoral

Giulia Murace
Instituto de Investigación sobre el Patrimonio Cultural, Universidad Nacional de San Martín, Buenos Aires
giuliamurace@gmail.com

DOI 10.30687/MDCCC/2280-8841/2018/01/007

Submitted 23 Mar 2018
Accepted 10 Apr 2018

Abstract

In Argentina, by the end of the 19th century and the beginning of the 20th, several opera houses appeared, in both large cities and small urban centers. One example is the Teatro Muncipal in San Nicolás de los Arroyos, inaugurated on August 10, 1908. This paper analyzes the historical-artistic aspects of the theater and the imaginary it contributed to build in a provincial city at the beginnings of 1900. Some peculiarities of this theatre lead us to highlight alternative routes of artistic circulation, where Buenos Aires is not always the center and where local intermediaries have had preeminence; since a greater dialogue with the city of Rosario than with the nation’s capital was established.

Keywords
Argentinian art. Theatre decoration. Applied arts. Matteo Casella. Raffaele Vincenzo Barone.

Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License 

Table of contents
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Campo DC Valore

dc.contributor.author

Murace Giulia

dc.title

Artistas y decoradores en el Teatro Municipal de San Nicolás de los Arroyos a principios del siglo XX

dc.type

Journal Article

dc.language.iso

es

dc.identifier.uri

http://doi.org/10.14277/2280-8841/2018/001/07

dc.description.abstract

In Argentina, by the end of the 19th century and the beginning of the 20th, several opera houses appeared, in both large cities and small urban centers. One example is the Teatro Muncipal in San Nicolás de los Arroyos, inaugurated on August 10, 1908. This paper analyzes the historical-artistic aspects of the theater and the imaginary it contributed to build in a provincial city at the beginnings of 1900. Some peculiarities of this theatre lead us to highlight alternative routes of artistic circulation, where Buenos Aires is not always the center and where local intermediaries have had preeminence; since a greater dialogue with the city of Rosario than with the nation’s capital was established.

dc.relation.ispartof

MDCCC 1800

dc.relation.ispartof

Vol. 7 | Num. 1 | Luglio 2018

dc.publisher

Edizioni Ca’ Foscari - Digital Publishing

dc.date.issued

2018-07-31

dc.dateAccepted

2018-03-23

dc.dateSubmitted

2018-04-10

dc.identifier.issn

dc.identifier.eissn

2280-8841

dc.rights

Creative Commons 4.0 Attribution alone

dc.rights.uri

http://creativecommons.org/licenses/by/4.0/

dc.subject

Argentinian art

dc.subject

Theatre decoration

dc.subject

Applied arts

dc.subject

Matteo Casella

dc.subject

Raffaele Vincenzo Barone

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