7 | 2018

Keywords Francesco Hayez • Salon • Ingres • Cultural exchanges • Cernusco sul Naviglio • Veit • Mural painting • Giuseppe De Nittis • Experimental series • Joseph Michael Gandy • Delacroix • Koch • Art collections • Papal states • Theatre decoration • Titian • Høyen • Market • Valenti Gonzaga • Stanze a boschereccia • Grand Tour • James Malton • L • N • Applied arts • 19th Century Italian paintings • Abbozzo • Academy of Arcadia • Impressionism • Dante’s mask • Etchings • L’Art Moderne • George Augustus Wallis • Brera • Argentinian art • Arcadian Iconography • Belgium • Giuseppe Sogni • Claude Monet • Milan • Degas • Raffaele Vincenzo Barone • Charles Heathcote Tatham • Cottages • Getty Research Institute • Connoisseurship • Paul Delaroche • Rome • Ambrogio Uboldo • Vittorio Pica • Pattern book • La Jeune Belgique • 19th Century French paintings • Matteo Casella • Mussini • Andrea Mantegna • Picturesque

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/07 | Published July 31, 2018 | Language it, es

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