7 | 2018

Keywords Belgium • Giuseppe Sogni • N • Applied arts • Paul Delaroche • Giuseppe De Nittis • La Jeune Belgique • Grand Tour • Pattern book • Arcadian Iconography • Ambrogio Uboldo • George Augustus Wallis • Abbozzo • James Malton • L • Connoisseurship • Cottages • Matteo Casella • Charles Heathcote Tatham • Cernusco sul Naviglio • Brera • Andrea Mantegna • Cultural exchanges • Valenti Gonzaga • Raffaele Vincenzo Barone • Ingres • 19th Century French paintings • Delacroix • Francesco Hayez • Getty Research Institute • Koch • Joseph Michael Gandy • Etchings • Art collections • 19th Century Italian paintings • Papal states • Mural painting • Stanze a boschereccia • Claude Monet • Salon • Titian • Impressionism • Picturesque • Rome • Vittorio Pica • Dante’s mask • L’Art Moderne • Experimental series • Academy of Arcadia • Market • Veit • Argentinian art • Degas • Mussini • Milan • Theatre decoration • Høyen

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2018/07 | Published July 31, 2018 | Language es, it

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