MDCCC 1800

6 | 2017

open access | peer reviewed
Abstract

Keywords Art nouveau • Liberty • Zaragoza • Russian painters in America • Adolfo Hohenstein • Commission of monuments • Eclecticism • Ottoman Empire • Heritage • Avant-garde Exhibitions • Egypt • American Artists • Glasswork • Emilio Longoni • Persia • Simbolism • Murano • World’s Fair • Expositions Universelles • Industrial arts • Exposition Universelle • World Fairs • Lombardy • American Art • Mosaic • Islamic Art • Divisionismo • Exhibition • World’s Columbian Exposition • Carlo Ceppi • Cosmopolitanism • Giacomo Salvadori • Eugenio Linati • Paris 1867 • Peredvizhniki • Photography • Fin-de-siècle • Russian fine art • Decorative arts • Costantino Gilodi • Surrealism • Imperial Fine Arts Academy • Paris • Weltausstellung • Colonialism • Ottoman Turkey • Vienna • Khedive Ismail • Como • Antonio Salviati • Art Exhibition • Display • Alessandro Volta • Landscape painting

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Published July 31, 2017 | Language it, en

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