MDCCC 1800

6 | 2017

open access | peer reviewed
Abstract

Keywords Peredvizhniki • Display • American Art • Como • Russian painters in America • Vienna • Eclecticism • Surrealism • Alessandro Volta • Carlo Ceppi • Decorative arts • Art nouveau • Art Exhibition • Persia • Exposition Universelle • Commission of monuments • Antonio Salviati • Eugenio Linati • Adolfo Hohenstein • Exhibition • Zaragoza • Giacomo Salvadori • Avant-garde Exhibitions • Imperial Fine Arts Academy • Liberty • Ottoman Empire • Khedive Ismail • Divisionismo • Industrial arts • American Artists • World’s Fair • Cosmopolitanism • Fin-de-siècle • Egypt • Murano • Photography • Colonialism • Islamic Art • Costantino Gilodi • Emilio Longoni • Simbolism • Glasswork • Landscape painting • Russian fine art • Paris 1867 • Paris • Weltausstellung • World Fairs • Lombardy • Heritage • Ottoman Turkey • World’s Columbian Exposition • Expositions Universelles • Mosaic

Permalink http://doi.org/10.14277/2280-8841/MDCCC-6-17 | Published July 31, 2017 | Language en, it

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