Pudeur et splendeur de la prostitution chez Aimé Césaire et

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20 | 2018

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Topic
Literature

Language
fr

Permalink
http://doi.org/10.30687/Tol/2499-5975/2018/20/008

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ISSN
1594-1930

e-ISSN
2499-5975

Online issue
Vol. 1 | Num. 20 | Dicembre 2018

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Il Tolomeo | 20 | 2018

Pudeur et splendeur de la prostitution chez Aimé Césaire et Zadi Zaourou

Représentations stylistiques du corps-tabou

Houessou Dorgelès
Université Alassane Ouattara (Bouaké, Côte d’Ivoire)
dorgeleshouessou@yahoo.fr

DOI 10.30687/Tol/2499-5975/2018/20/008

Submitted 11 Aug 2018
Accepted 16 Sep 2018

Abstract

In the Cahier d’un retour au pays natal, Césaire depicts prostitution in its abject and reprehensible dimension. Many stylistic processes, such as the reference to the biblical account of the fall, thus define a servile and shameful practice. The reason is that the poet subtly encodes the vice of the sex trade that he makes the equivalent of cultural assimilation. In contrast, Zadi Zaourou Bernard, Ivorian poet and disciple of Césaire, generally depicted prostitution under the aegis of admiration. Elegy for those bodies offered to the libidinal satisfaction of whoever is able to pay the price, some poems from his collection titled À Califourchon sur le dos d’un nuage raise and sublimate the prostitute.

Keywords
Stylistics. Styleme. Rhetoric figure. Poetry. Figure of the prostitute.

This work is licensed under a Creative Commons Attribution 4.0 International License

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peer reviewed

Table of contents

Campo DC	Valore
dc.contributor.author	Dorgelès Houessou
dc.title	Pudeur et splendeur de la prostitution chez Aimé Césaire et Zadi Zaourou
dc.type	Journal Article
dc.language.iso	fr
dc.identifier.uri	http://doi.org/10.14277/Tol/2499-5975/2018/20/008
dc.description.abstract	In the Cahier d’un retour au pays natal, Césaire depicts prostitution in its abject and reprehensible dimension. Many stylistic processes, such as the reference to the biblical account of the fall, thus define a servile and shameful practice. The reason is that the poet subtly encodes the vice of the sex trade that he makes the equivalent of cultural assimilation. In contrast, Zadi Zaourou Bernard, Ivorian poet and disciple of Césaire, generally depicted prostitution under the aegis of admiration. Elegy for those bodies offered to the libidinal satisfaction of whoever is able to pay the price, some poems from his collection titled À Califourchon sur le dos d’un nuage raise and sublimate the prostitute.
dc.relation.ispartof	Il Tolomeo
dc.relation.ispartof	Vol. 1 \| Num. 20 \| Dicembre 2018
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.date.issued	2018-12-21
dc.dateAccepted	2018-08-11
dc.dateSubmitted	2018-09-16
dc.identifier.issn	1594-1930
dc.identifier.eissn	2499-5975
dc.rights	Creative Commons 4.0 Attribution alone
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.subject	Stylistics
dc.subject	Styleme
dc.subject	Rhetoric figure
dc.subject	Poetry
dc.subject	Figure of the prostitute
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20 | 2018

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Il Tolomeo 20 | 2018

Il Tolomeo 20 | 2018

Pudeur et splendeur de la prostitution chez Aimé Césaire et Zadi Zaourou

Représentations stylistiques du corps-tabou

20 | 2018

Table of contents

Il Tolomeo
20 | 2018

Il Tolomeo
20 | 2018