Il Tolomeo

Rivista di studi postcoloniali | A Postcolonial Studies Journal | Journal d’études postcoloniales | Revista de estudos pós-coloniais

Journal | Il Tolomeo
Journal issue | 20 | 2018

20 | 2018

open access | peer reviewed
Abstract

Keywords Biennale 2018 • Music and semiotics • Bakhtin • Linguistic characterisation • Subversion • Lyonel Trouillot • Music • Diaspora • Imperialism • Embodied reading • Trace • Historical-real • Science of Rhythm • Fantastic • Stanley Péan • Algeria • Aesthetic-real • Caribbean music • Marasa and zombie • Venice Architecture • Carnival • Ethnography • Stylistics • Hamilton • Power and subjectivity • Styleme • Translation as negotiation • Art • Identity • Mixed languages • Style • Translation as hermeneutic process • Depestre • Poetry • Said • Masque • Intertextuality • Caribbean • Patrick McCabe • Caribbean songs • Kannjawou • Joyce • Haitian literature • Interculturalism • Elgar • Francophone literature • History • Figure of the prostitute • Rhetoric figure • Caribbean literature • Linguistic musicality • Haïtianité

Permalink http://doi.org/10.30687/Tol/2499-5975/2018/04 | Published Dec. 21, 2018 | Language it, fr, en

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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