Archivio d’Annunzio
5 | 2018

Archivio d’Annunzio
5 | 2018

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chevron_rightLiterature

Language
it

ISSN
chevron_right2421-4213

e-ISSN
chevron_right2421-292X

Online issue
Vol. 1 | Num. 5 | Ottobre 2018

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Archivio d’Annunzio | 5 | 2018

La linea stilistica della «chiarezza poetica»
Comisso vs d’Annunzio

Ilaria Crotti
ORCID 0000-0003-2562-7865 
Università Ca’ Foscari Venezia, Italia
icrotti@unive.it

DOI 10.30687/AdA/2421-292X/2018/05/010

Submitted 01 Mar 2018
Accepted 11 May 2018

Abstract

Giovanni Comisso, after d’Annunzio passed away, proposed to place his artistic figure in the framework of the contemporary critical horizon, selecting a very peculiar formal line, distinguished by ‘clarity’, in order to measure himself and, together, to take the necessary distances from the teaching of the ‘Vate’. In the second part of this paper, a Comissian critical essay is published, which appeared in the early ’60s in Il Mondo of Pannunzio and has remained in the shadows so far; in it we summarise an exemplary historiographical and stylistic balance of the Italian narrative between the 19th and the beginning of the 20th century, re-reading in perspective and under another way d’Annunzio’s function.

Keywords
Comisso. D’Annunzio. Clarity. The Vate. Style. Criticism.

Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License 

Table of contents
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Campo DC Valore

dc.contributor.author

Crotti Ilaria

dc.title

La linea stilistica della «chiarezza poetica»

dc.type

Journal Article

dc.language.iso

it

dc.identifier.uri

http://doi.org/10.14277/AdA/2421-292X/2018/05/012

dc.description.abstract

Giovanni Comisso, after d’Annunzio passed away, proposed to place his artistic figure in the framework of the contemporary critical horizon, selecting a very peculiar formal line, distinguished by ‘clarity’, in order to measure himself and, together, to take the necessary distances from the teaching of the ‘Vate’. In the second part of this paper, a Comissian critical essay is published, which appeared in the early ’60s in Il Mondo of Pannunzio and has remained in the shadows so far; in it we summarise an exemplary historiographical and stylistic balance of the Italian narrative between the 19th and the beginning of the 20th century, re-reading in perspective and under another way d’Annunzio’s function.

dc.relation.ispartof

Archivio d’Annunzio

dc.relation.ispartof

Vol. 1 | Num. 5 | Ottobre 2018

dc.publisher

Edizioni Ca’ Foscari - Digital Publishing

dc.date.issued

2018-11-20

dc.dateAccepted

2018-03-01

dc.dateSubmitted

2018-05-11

dc.identifier.issn

2421-4213

dc.identifier.eissn

2421-292X

dc.rights

Creative Commons 4.0 Attribution alone

dc.rights.uri

http://creativecommons.org/licenses/by/4.0/

dc.subject

Comisso

dc.subject

D’Annunzio

dc.subject

Clarity

dc.subject

The Vate

dc.subject

Style

dc.subject

Criticism

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