Archivio d’Annunzio
5 | 2018

Archivio d’Annunzio
5 | 2018

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Topic
chevron_rightLiterature

Language
it

ISSN
chevron_right2421-4213

e-ISSN
chevron_right2421-292X

Online issue
Vol. 1 | Num. 5 | Ottobre 2018

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Archivio d’Annunzio | 5 | 2018

«Il rancore servile dei troppi»
Antidannunzianesimo di provincia

Mirko Menna
Università degli Studi «G. D’Annunzio» Chieti-Pescara, Italia
mrkm@libero.it

DOI 10.30687/AdA/2421-292X/2018/05/011

Submitted 08 Mar 2018
Accepted 10 May 2018

Abstract

Dannunzite, a cultural plague, a generational disease that invaded every city and spread like wildfire throughout the Italian peninsula: thanks to critics, unknown or little known journalists and writers who started the literary debate, from the Calabria of Silvio Turco to the Tuscany of Guido Rubetti and Dino Mantovani, as they opposed reference cultural models, such as Ercole Luigi Morselli debuting the Orione, at the Argentina Theatre in Rome, hailed by critics and public as an example of anti-d’Annunzio theatre; and Orazio Amendola from Palermo, who patiently compiled the inventory of reasons to hate d’Annunzio, tracing, on the basis of what Max Nordau did, d’Annunzio’s ‘moral’ and ‘immoral’ arguments. Going through Dannunzianesimo and Dannunzite, the ‘antidannunziani’ showed the two faces of the same cultural phenomenon.

Keywords
D’Annunzio writer. Dannunzianesimo. Dannunzite. Antidannunzianesimo. Province of Italy.

Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License 

Table of contents
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Campo DC Valore

dc.contributor.author

Menna Mirko

dc.title

«Il rancore servile dei troppi»

dc.type

Journal Article

dc.language.iso

it

dc.identifier.uri

http://doi.org/10.14277/AdA/2421-292X/2018/05/007

dc.description.abstract

Dannunzite, a cultural plague, a generational disease that invaded every city and spread like wildfire throughout the Italian peninsula: thanks to critics, unknown or little known journalists and writers who started the literary debate, from the Calabria of Silvio Turco to the Tuscany of Guido Rubetti and Dino Mantovani, as they opposed reference cultural models, such as Ercole Luigi Morselli debuting the Orione, at the Argentina Theatre in Rome, hailed by critics and public as an example of anti-d’Annunzio theatre; and Orazio Amendola from Palermo, who patiently compiled the inventory of reasons to hate d’Annunzio, tracing, on the basis of what Max Nordau did, d’Annunzio’s ‘moral’ and ‘immoral’ arguments. Going through Dannunzianesimo and Dannunzite, the ‘antidannunziani’ showed the two faces of the same cultural phenomenon.

dc.relation.ispartof

Archivio d’Annunzio

dc.relation.ispartof

Vol. 1 | Num. 5 | Ottobre 2018

dc.publisher

Edizioni Ca’ Foscari - Digital Publishing

dc.date.issued

2018-11-20

dc.dateAccepted

2018-03-08

dc.dateSubmitted

2018-05-10

dc.identifier.issn

2421-4213

dc.identifier.eissn

2421-292X

dc.rights

Creative Commons 4.0 Attribution alone

dc.rights.uri

http://creativecommons.org/licenses/by/4.0/

dc.subject

D’Annunzio writer

dc.subject

Dannunzianesimo

dc.subject

Dannunzite

dc.subject

Antidannunzianesimo

dc.subject

Province of Italy

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