Archivio d’Annunzio
5 | 2018

Archivio d’Annunzio
5 | 2018

  pdf


Views 6
Downloads 0

Topic
chevron_rightLiterature

Language
it

ISSN
chevron_right2421-4213

e-ISSN
chevron_right2421-292X

Online issue
Vol. 1 | Num. 5 | Ottobre 2018

Share

Metadati

Archivio d’Annunzio | 5 | 2018

Di un amico avverso

Gianni Oliva
Università degli Studi «G. D'Annunzio» Chieti Pescara, Italia
olivagianni@libero.it

DOI 10.30687/AdA/2421-292X/2018/05/004

Submitted 02 Apr 2018
Accepted 25 May 2018

Abstract

D’Annunzio and De Lollis (both born in 1863 and in the same region) present, in their cultural journey, moments of contact and collaboration, especially in the early years, and contrasts and oppositions, mainly due to different artistic choices and general attitude that led De Lollis to strongly criticise the Poet. From the initial common collaborations with Roman newspapers, we arrive at the moment in which De Lollis moves against d’Annunzio’s art, which was no longer based on solid ethical principles as in the Carduccian lesson but was seen as a superficial and soul-less art, in the triumph of rhetoric. The decisive difference was revealed at the time Italy entered the war, when De Lollis openly criticised d'Annunzio’s position as soon as he returned from France.

Keywords
D’Annunzio. De Lollis. Poetry. Rhetoric. Prima guerra mondiale.

Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License 

Table of contents
×
Campo DC Valore

dc.contributor.author

Oliva Gianni

dc.title

Di un amico avverso

dc.type

Journal Article

dc.language.iso

it

dc.identifier.uri

http://doi.org/10.14277/AdA/2421-292X/2018/05/008

dc.description.abstract

D’Annunzio and De Lollis (both born in 1863 and in the same region) present, in their cultural journey, moments of contact and collaboration, especially in the early years, and contrasts and oppositions, mainly due to different artistic choices and general attitude that led De Lollis to strongly criticise the Poet. From the initial common collaborations with Roman newspapers, we arrive at the moment in which De Lollis moves against d’Annunzio’s art, which was no longer based on solid ethical principles as in the Carduccian lesson but was seen as a superficial and soul-less art, in the triumph of rhetoric. The decisive difference was revealed at the time Italy entered the war, when De Lollis openly criticised d'Annunzio’s position as soon as he returned from France.

dc.relation.ispartof

Archivio d’Annunzio

dc.relation.ispartof

Vol. 1 | Num. 5 | Ottobre 2018

dc.publisher

Edizioni Ca’ Foscari - Digital Publishing

dc.date.issued

2018-11-20

dc.dateAccepted

2018-04-02

dc.dateSubmitted

2018-05-25

dc.identifier.issn

2421-4213

dc.identifier.eissn

2421-292X

dc.rights

Creative Commons 4.0 Attribution alone

dc.rights.uri

http://creativecommons.org/licenses/by/4.0/

dc.subject

D’Annunzio

dc.subject

De Lollis

dc.subject

Poetry

dc.subject

Rhetoric

dc.subject

Prima guerra mondiale

Download

×