Archivio d’Annunzio
5 | 2018

Archivio d’Annunzio
5 | 2018

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chevron_rightLiterature

Language
it

ISSN
chevron_right2421-4213

e-ISSN
chevron_right2421-292X

Online issue
Vol. 1 | Num. 5 | Ottobre 2018

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Archivio d’Annunzio | 5 | 2018

D’Annunzio, nome comune
Note sulla critica saviniana agli estetismi

Gavino Piga
Università degli Studi di Cagliari, Italia
gavino.piga.1977@tiscali.it

DOI 10.30687/AdA/2421-292X/2018/05/008

Submitted 26 Mar 2018
Accepted 10 May 2018

Abstract

D’Annunzio is often mentioned, in Savinio’s works, as a typical representative of a cultural trend rather than as an author in his own right. This is due to the fact that, according to Savinio, the aesthetistic poetry is incapable of an authentic artistic creation, because it finds its place naturally in the field of imitation. Therefore, d’Annunzio’s works are the results of an anonymous and regressive experience, which is the perfect antithesis of Savinio’s idea about art. But this subject is structurally connected with a global and very original view of the world that Savinio develops especially during and after the World War 2. This work investigates the complex ties between the Savinio’s ‘antidannunzianismo’ and the development of his global elaboration.

Keywords
Savinio. D’Annunzio. Dannunzianesimo. Estetismo. Fascismo.

Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License 

Table of contents
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Campo DC Valore

dc.contributor.author

Piga Gavino

dc.title

D’Annunzio, nome comune

dc.type

Journal Article

dc.language.iso

it

dc.identifier.uri

http://doi.org/10.14277/AdA/2421-292X/2018/05/009

dc.description.abstract

D’Annunzio is often mentioned, in Savinio’s works, as a typical representative of a cultural trend rather than as an author in his own right. This is due to the fact that, according to Savinio, the aesthetistic poetry is incapable of an authentic artistic creation, because it finds its place naturally in the field of imitation. Therefore, d’Annunzio’s works are the results of an anonymous and regressive experience, which is the perfect antithesis of Savinio’s idea about art. But this subject is structurally connected with a global and very original view of the world that Savinio develops especially during and after the World War 2. This work investigates the complex ties between the Savinio’s ‘antidannunzianismo’ and the development of his global elaboration.

dc.relation.ispartof

Archivio d’Annunzio

dc.relation.ispartof

Vol. 1 | Num. 5 | Ottobre 2018

dc.publisher

Edizioni Ca’ Foscari - Digital Publishing

dc.date.issued

2018-11-20

dc.dateAccepted

2018-03-26

dc.dateSubmitted

2018-05-10

dc.identifier.issn

2421-4213

dc.identifier.eissn

2421-292X

dc.rights

Creative Commons 4.0 Attribution alone

dc.rights.uri

http://creativecommons.org/licenses/by/4.0/

dc.subject

Savinio

dc.subject

D’Annunzio

dc.subject

Dannunzianesimo

dc.subject

Estetismo

dc.subject

Fascismo

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