Registi a confronto per La figlia di Iorio

« previous article | next article »

DC Field	Value
dc.identifier	ECF_article_1220
dc.title	Registi a confronto per La figlia di Iorio
dc.contributor.author	Bentoglio Alberto
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.type	Research Article
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/riviste/archivio-dannunzio/2017/1/registi-a-confronto-per-la-figlia-di-iorio/
dc.description.abstract	During the twentieth century there were numerous productions of Gabriele d’Annunzio pastoral tragedy La Figlia di Iorio. Interpretations of the text have been offered in particular in the field of director’s theatre, with diverse outcomes. This article analyses the theatre productions presented in Italy by Luigi Squarzina (1957), Paolo Giuranna (1972), Giancarlo Cobelli (1973) and Roberto De Simone (1982). They were directors who, through their work, confirmed the extraordinary vitality of d’Annunzio’s text as an inexhaustible source of new interpretative stimuli
dc.relation.ispartof	Archivio d’Annunzio
dc.relation.ispartof	Vol. 4 \| October 2017
dc.issued	2017-10-05
dc.dateAccepted	2017-05-18
dc.dateSubmitted	2017-01-14
dc.identifier.issn
dc.identifier.eissn	2421-292X
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.14277/2421-292X/AdA-4-17-4
dc.peer-review	yes
dc.subject	Actor
dc.subject	Actor
dc.subject	Direction
dc.subject	Direction
dc.subject	Dramaturgy
dc.subject	Dramaturgy
dc.subject	D’Annunzio
dc.subject	D’Annunzio
dc.subject	Theatre
dc.subject	Theatre

Research Article
open access peer reviewed

Registi a confronto per La figlia di Iorio

Alberto Bentoglio Università degli Studi di Milano, Italia

VIEW PDF DOWNLOAD PDF

abstract

During the twentieth century there were numerous productions of Gabriele d’Annunzio pastoral tragedy La Figlia di Iorio. Interpretations of the text have been offered in particular in the field of director’s theatre, with diverse outcomes. This article analyses the theatre productions presented in Italy by Luigi Squarzina (1957), Paolo Giuranna (1972), Giancarlo Cobelli (1973) and Roberto De Simone (1982). They were directors who, through their work, confirmed the extraordinary vitality of d’Annunzio’s text as an inexhaustible source of new interpretative stimuli

Published

Oct. 5, 2017

Accepted

May 18, 2017

Submitted

Jan. 14, 2017

Language

Keywords: Theatre • Actor • D’Annunzio • Dramaturgy • Direction

permalink http://doi.org/10.14277/2421-292X/AdA-4-17-4

Copyright: © 2017 Alberto Bentoglio. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

References to this chapter

How to cite