D’Annunzio e il teatro fuori dal teatro

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DC Field	Value
dc.identifier	ECF_article_1217
dc.title	D’Annunzio e il teatro fuori dal teatro. La messinscena della Figlia di Iorio al Vittoriale (1927) e della Nave a Venezia (1938)
dc.contributor.author	Isgrò Giovanni
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.type	Research Article
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/riviste/archivio-dannunzio/2017/1/dannunzio-e-il-teatro-fuori-dal-teatro/
dc.description.abstract	At the origin of the two stage shows there is the idea of commemoration: September 11, the anniversary of the march on Ronchi, for La Figlia di Iorio to Vittoriale in 1927 and the homage to the Vate who has disappeared for a few months to represent La Nave in Venice in 1938; two different ways of celebrating and ritualising the event/theatre out of the theatre. And while in the first case, in a celebratory context he himself cared for, d’Annunzio became an enthusiastic promoter of a significant updating of the theatrical practice, in 1938 the regime finalised the event to an exaggeration of the duce’s politics in the lagoon marking a substantial distance from the ideological motives that had prompted the author to carry out his work.
dc.relation.ispartof	Archivio d’Annunzio
dc.relation.ispartof	Vol. 4 \| October 2017
dc.issued	2017-10-05
dc.dateAccepted	2017-05-03
dc.dateSubmitted	2016-12-12
dc.identifier.issn
dc.identifier.eissn	2421-292X
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.14277/2421-292X/AdA-4-17-3
dc.peer-review	yes
dc.subject	Dramatist
dc.subject	Dramatist
dc.subject	D’Annunzio
dc.subject	D’Annunzio
dc.subject	Figlia di Iorio
dc.subject	Figlia di Iorio
dc.subject	La Nave
dc.subject	La Nave
dc.subject	Theatre
dc.subject	Theatre

Research Article
open access peer reviewed

La messinscena della Figlia di Iorio al Vittoriale (1927) e della Nave a Venezia (1938)

Giovanni Isgrò Università degli Studi di Palermo, Italia

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abstract

At the origin of the two stage shows there is the idea of commemoration: September 11, the anniversary of the march on Ronchi, for La Figlia di Iorio to Vittoriale in 1927 and the homage to the Vate who has disappeared for a few months to represent La Nave in Venice in 1938; two different ways of celebrating and ritualising the event/theatre out of the theatre. And while in the first case, in a celebratory context he himself cared for, d’Annunzio became an enthusiastic promoter of a significant updating of the theatrical practice, in 1938 the regime finalised the event to an exaggeration of the duce’s politics in the lagoon marking a substantial distance from the ideological motives that had prompted the author to carry out his work.

Published

Oct. 5, 2017

Accepted

May 3, 2017

Submitted

Dec. 12, 2016

Language

Keywords: Figlia di Iorio • D’Annunzio • Theatre • Dramatist • La Nave

permalink http://doi.org/10.14277/2421-292X/AdA-4-17-3

Copyright: © 2017 Giovanni Isgrò. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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