Annali di Ca’ Foscari. Serie orientale

54 | 2018

open access | peer reviewed
Abstract

Keywords Hindi cinema • Arachosia • Ottoman Empire • Exilic filmmaking • Japan • Ottoman Syria • Italian literature • Postmodernism • Beginning democratic transition • Qādiriyya • Social hybridity • Buddhism • Bṛhaspati • Old Cairo • Manomaya-kāya • Aśoka • Microcosm • Edgar Allan Poe • Political theology • Renaissance • Hash den • State-civil society relations • Tanizaki Jun’ichirō • Semiotics of natural elements • Venice • Nik’oloz Baratašvili • Cultural identity • Discourse • Sociology of knowledge • Circulation of goods • Giacomo Leopardi • Sāmaññaphala-sutta • Jesuits • Edogawa Ranpo • Society • Hindi literature • Material culture • Materialism • Post-Soviet civil society • Classical ecological discourses • Sanskrit normative textuals traditions • Kandahar • Gift exchange • Tibetan diaspora • Japanese foreign aid • Quantifier float • Social change • Literary gardens • Globalisation • International development • Peaceful revolution • Zone • Sudhīś Pacaurī • Heretics • Book history • Ideas • Grammatical relations • Śaśibhūṣaṇ Śītāṃśu • Space • Public policy • Time • Egyptian novel • Reflexivisation • Kyrgyzstan • Mandarin Chinese • Ḥamā • Georgian literature • Mongolia • Literary criticism • Greek-Aramaic edict • NGOs and development • International democracy assistance • Court records • Māyāmoha • Division • Religious economy and ecology • Shantytowns • Hybridity • Travelogue • Aleppo • Humour • Purāṇas • Argument selectors

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2018/01 | Published June 25, 2018 | Language en, it

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