Las acotaciones en los impresos y manuscritos de La dama

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DC Field	Value
dc.identifier	ECF_chapter_1981
dc.contributor.author	Antonucci Fausta
dc.title	Las acotaciones en los impresos y manuscritos de La dama duende (siglo XVII)
dc.type	Chapter
dc.language.iso	es
dc.description.abstract	Stage directions in 17th-century printed copies of Calderón de la Barca’s La dama duende are much more detailed than those in the manuscripts, therefore it is likely that the printed stage directions derive from a theatrical script. The manuscripts, also originated in theatrical circles, are probably closer to the original written by the playwright as far as the stage directions are concerned. At the same time, there is evidence that the modifications introduced in stage directions affect modifications in the text. We also analyse stage directions in the edition of Calderón’s play by Vera Tassis, which is intended for reading, and stage directions related to the cupboard, a key piece of intrigue and scenery.
dc.relation.ispartof	Library of Rassegna iberistica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2018-12-11
dc.dateAccepted	2018-06-01
dc.dateSubmitted	2018-05-08
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-305-2/las-acotaciones-en-los-impresos-y-manuscritos-de-l/
dc.identifier.doi	10.30687/978-88-6969-304-5/007
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-305-2
dc.identifier.eisbn	978-88-6969-304-5
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Calderón de la Barca
dc.subject	Calderón de la Barca
dc.subject	Editing
dc.subject	Editing
dc.subject	Stage directions
dc.subject	Stage directions
dc.subject	Textual Criticism
dc.subject	Textual Criticism

Chapter
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Las acotaciones en los impresos y manuscritos de La dama duende (siglo XVII)

Fausta Antonucci Università degli Studi Roma Tre, Italia

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abstract

Stage directions in 17th-century printed copies of Calderón de la Barca’s La dama duende are much more detailed than those in the manuscripts, therefore it is likely that the printed stage directions derive from a theatrical script. The manuscripts, also originated in theatrical circles, are probably closer to the original written by the playwright as far as the stage directions are concerned. At the same time, there is evidence that the modifications introduced in stage directions affect modifications in the text. We also analyse stage directions in the edition of Calderón’s play by Vera Tassis, which is intended for reading, and stage directions related to the cupboard, a key piece of intrigue and scenery.

Published

Dec. 11, 2018

Accepted

June 1, 2018

Submitted

May 8, 2018

Language

ISBN (PRINT)

978-88-6969-305-2

ISBN (EBOOK)

978-88-6969-304-5

Keywords: Calderón de la Barca • Textual Criticism • Editing • Stage directions

permalink: http://doi.org/10.30687/978-88-6969-304-5/007

Copyright: © 2018 Fausta Antonucci. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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