Repensar los estudios ibéricos desde la periferia

Repensar los estudios ibéricos desde la periferia

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Topic
chevron_rightLinguistics

Language
es

ISBN (print)
978-88-6969-303-8

ISBN (ebook)
978-88-6969-302-1

ISSN
chevron_right2610-8844

e-ISSN
chevron_right2610-9360

Date of publication
04 Feb 2019

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Biblioteca di Rassegna iberistica

Reyes de la gasolinera
La rumba vallecana y el cuerpo biorrumbero de la Transición

Ramón López Castellano
University of Deakin, Victoria, Australia
ramon.lopezcastellano@deakin.edu.au

DOI 10.30687/978-88-6969-302-1/008

Submitted 08 Nov 2018

Abstract

The purpose of this essay is to open an academic discussion on a marginal but highly popular cultural phenomenon during the Spanish Transition to democracy: the rumba vallecana music subgenre. This study contextualises rumba vallecana in its historical and sociocultural territory and argues how and why the subgenre and its creators enjoyed a privileged, albeit paradoxical, position in order to challenge normalised identity and social constructions under the so-called ‘sociological Francoism’. The paper concludes that rumba vallecana was an essential cultural discourse embedded in the social identity changes that took place in Spain during the 1970s and 1980s.

Keywords
Rumba vallecana. Quinqui. Nacionalflamenquismo. Spanish Transition.


Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License 

Table of contents
×
Campo DC Valore

dc.contributor.author

López Castellano Ramón

dc.title

Reyes de la gasolinera

dc.type

Book Chapter

dc.language.iso

es

dc.description.abstract

The purpose of this essay is to open an academic discussion on a marginal but highly popular cultural phenomenon during the Spanish Transition to democracy: the rumba vallecana music subgenre. This study contextualises rumba vallecana in its historical and sociocultural territory and argues how and why the subgenre and its creators enjoyed a privileged, albeit paradoxical, position in order to challenge normalised identity and social constructions under the so-called ‘sociological Francoism’. The paper concludes that rumba vallecana was an essential cultural discourse embedded in the social identity changes that took place in Spain during the 1970s and 1980s.

dc.relation.ispartof

Biblioteca di Rassegna iberistica

dc.publisher

Edizioni Ca’ Foscari - Digital Publishing

dc.date.issued

2019-02-04

dc.dateAccepted

2018-11-08

dc.dateSubmitted

None

dc.identifier.uri

http://doi.org/10.14277/978-88-6969-302-1/008

dc.identifier.issn

2610-8844

dc.identifier.eissn

2610-9360

dc.identifier.isbn

978-88-6969-303-8

dc.identifier.eisbn

978-88-6969-302-1

dc.rights

Creative Commons 4.0 Attribution alone

dc.rights.uri

http://creativecommons.org/licenses/by/4.0/

item.fulltext

with fulltext

item.grantfulltext

open

dc.subject

Rumba vallecana

dc.subject

Quinqui

dc.subject

Nacionalflamenquismo

dc.subject

Spanish Transition

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Repensar los estudios ibéricos desde la periferia

Table of contents